April 2012

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My week from Monday 23 to Sunday 29 April 2012 covered the entire continent from Sydney to Perth and (at least later today) back again.

That’s Perth in the photo, with the Swan River just visible between the apartment buildings of East Perth. The photo was taken with my bashed-up HTC Desire phone and processed through Instagram.

Heck, if Zuckerberg reckons it’s worth a billion dollars I might as well have a look, right?

I’ll comment on Instagram itself later, and figure out a better way to integrate the photos into this website. Meanwhile, here’s a gallery of my Instagram photos, updated automatically.

And now on with the show…

Podcasts

  • Patch Monday episode 135, “iiNet wards off AFACT, but what next?” A summary of the High Court’s decision in Roadshow Films and others versus iiNet Limited, the initial reactions, and a wide-ranging discussion with Dr Rebecca Giblin, a copyright academic and geek from Monash University’s law school, who literally wrote the book on this subject: Code Wars: 10 Years of P2P Software Litigation. Keywords for the other things we mention are SOPA/PIPA, peer-to-peer production,

Articles

Media Appearances

Corporate Largesse

  • I wasn’t paid to present at DigitalMe, they did cover travel from Sydney to Perth and one night’s accommodation at Aarons Hotel including breakfast. Wine by Brad provided booze for the welcome drinks, as well as a bottle to take home. Food was supplied by Sorrento Restaurant, Northbridge.

The Week Ahead

A busy week of writing lies ahead, including a story for CSO Online and my presentation for the Saasu Cloud Conference the following week. I’ll also continue work on the feature story I’m writing for ZDNet Australia

I believe I’ll be back in Wentworth Falls for most of the week, but this could change at short notice. The Dopplr widget on the left-hand side of every page of my website is usually updated within an hour of plans changing, so always check there first — but bear in mind it has odd ideas of what day it is.

Elsewhere

Most of my day-to-day observations are on my high-volume Twitter stream, and random photos and other observations turn up on my Posterous stream (or they used to before my phone camera got a bit too scratched up). The photos also appear on Flickr, where I eventually add geolocation data and tags.

In February the Federal Court ruled that Optus TV Now, which recorded free-to-air TV on behalf of customers for more convenient playback later, was legitimate personal timeshifting as allowed under section 111 of the Copyright Act 1968. Yesterday the Full Federal Court overturned that decision.

This case has interesting implications. Originally, Justice Steve Rares said, effectively, that someone using a recorder-in-the cloud was still making a personal copy for domestic purposes. The fact that they’re using a recording device that’s provided as a service rather than sitting on the shelf under their television is irrelevant. The Full Court is saying, effectively, that the cloud provider is complicity in the action, which means it’s no longer personal, and in some cases may even be the sole actor.

This interpretation could have massive implications for providers of other cloud services. Could they be found to be copying data that they’re not entitled to? I’m no lawyer, so don’t ask me. But I can at least see that the law is having to deal with situations that are very different from the circumstances imagined when it was written.

Paragraph 100 of the Full Court’s decisions does say:

We should emphasise that our concerns here have been limited to the particular service provider-subscriber relationship of Optus and its subscribers to the TV Now Service and to the nature and operation of the particular technology used to provide the service in question. We accept that different relationships and differing technologies may well yield different conclusions to the “who makes the copy” question.

Will this decision be appealed? You bet.

Last night I spoke about the decision and its implications with Dom Knight on ABC Local Radio nationally — well, except for the analog transmitters that were broadcasting the cricket. I also spoke about the material I presented yesterday at DigitalMe in Perth.

Play

[Update: I just noticed that there's a couple of little audio gaps. I was recording off the stream, y'see. I'll fix them later.]

Personally, I stand by what I said in the opinion piece I wrote for the Sydney Morning Herald in February: Sport has to think outside the box.

If you’re in Perth today, the DigitalFamily event starts at 1000 local time at Northbridge Piazza. It’s free.

The audio is of course ©2012 Australian Broadcasting Corporation, but as usual I’m posting it here as an archive.

I haven’t written anything new for Anzac Day this year. I’ve said it all before in 2011, and before that in Anzac Day Rememberings and Anzac Day 2009: Sacrifice.

They shall grow not old,
As we that are left grow old,
Age shall not weary them,
Nor the years condemn.
At the going down of the sun,
And in the morning
We will remember them.
Lest we Forget

[Photo credit: The rosemary sprig was taken from Matthew Hall's Twitter page from 2008. If I owe someone for that usage, I'll make good.]

So this is a bit weird. Just as someone on Twitter asked whether I was hanging out at Hellfire Club, the robot @hyper_mpesce mentioned it too. WTF?

I’m not sure who @fivewalls is, but he asked: “You’re not hanging out at hellfire again are you?” That’s the column on the right, people who mention me or direct their conversation towards me.

@hyper_mpesce, which is a robot that repeats things Mark Pesce says, rearranging and making everything hyper, said: “hyper-If hyper-you hyper-even hyper-if hyper-you hyper-read hyper-the hyper-Hellfire hyper-Club. hyper-” hyper-#DISCONNECT.” As one would. That’s the column on the left, which is everyone I follow.

I can think of no explanation for this coincidence.

My usual weekly summary of what I’ve been doing elsewhere on the internets. This post covers the week from Monday 16 to Sunday 22 April 2012.

No photo again this week because camera-dearth.

Podcasts

  • Patch Monday episode 134, “Avoiding your own Logies leak moment”. Web developer Dave Hall, principal engineer at Technocrat, explains how the Herald Sun might have used the robots exclusion standard to stop the world seeing its embargoed story about Gold Logie winner Hamish Blake — but read the first comment on the story for important additional information.

Articles

Media Appearances

Corporate Largesse

  • On Tuesday night Samsung launched their new Smart TV range at Blue Hotel, Woolloomooloo. Apart from food and drink, we all got a goodie bag containing a bottle of Jacob’s Creek Cool Harvest 2011 Pinot Grigio (which was lovely); a Blu-Ray copy of Rise of the Planet of the Apes, a double pass to see King of Devil’s Island at the cinema next weekend (when I’m in Perth), a 2-for-1 voucher to see Wish You Were Here at the cinema, all of which I’m giving to Richard Chirgwin; two 330ml cartons of Kokomo coconut water (do they mean “juice”? it tasted like juice), which is “powered by nature” (ugh!) and which I drank; three chocolates from Fardoulis Chocolates, which I ate in about 11 seconds; a 50ml thing of Schwarzkopf [3D]Mension hair and body shampoo (that’s what it says, apparently “body shampoo” is a thing); a 50ml can of Avène Thermal Spring Water, which “smooths and softens sensitive skin” (which sounds like quite a lot of bullshit to me), which I’ll investigate further with Science; and a voucher for Chi Spa at the Shangri-La Hotel to get a 90-minute “treatment” for the price of a 60-minute one, as long as it’s on a weekday, which I threw away because it’s bullshit.
  • On Wednesday afternoon LG launched their own Cinema 3D range of smart TVs at Sydney’s newly-renovated Museum of Contemporary Art. Apart from food and drink, there was also a goodie bag — though I ended up not taking one because I was too busy gossiping with Paul Wallbank. Nevertheless, I came away with a voucher to get 40% off buying one of said TVs. Not that I will.

The Week Ahead

Busy. Monday morning you’ll see articles at ABC The Drum and CSO Online that I’ll have written overnight, as well as the Patch Monday podcast.

Then I’ll continue work on the feature story I’m writing for ZDNet Australia and my presentation that’ll be delivered at DigitalMe in Perth on Friday. You’ll be able to hear a preview of that on ABC 720 Perth on Thursday afternoon some time. And while in Perth I’ll be recording the following week’s Patch Monday podcast. Whew!

In terms of my movements, the new plan is that I’ll be in Sydney until I fly to Perth on Thursday, and then in Sydney overnight Sunday night upon my return.

Elsewhere

Most of my day-to-day observations are on my high-volume Twitter stream, and random photos and other observations turn up on my Posterous stream (or they used to before my phone camera got a bit too scratched up). The photos also appear on Flickr, where I eventually add geolocation data and tags.

So there was a student who tweeted at me the other night to ask if they could ask me some questions for their marketing and public relations course at some university somewhere and I said yeah sure because I’m like polite and stuff and they emailed me questions and I sent off some answers today and because it took me ages and it was all about the nature of journalism and shit I thought I should share them with you to see what you think.

Here’s what I said, unedited. Well, except for fixing a few obvious mistakes.

Read the rest of this entry »

The big internet-related story in Australia today was the High Court’s decision in the so-called #iiTrial. I wrote the lead story in Crikey — read that now for the facts and my analysis — and just spoke about it on ABC 702 Sydney.

The High Court decided, as outlined in its summary [PDF], that internet service provider iiNet was not responsible for the copyright-infringing acts of its customers. But as explained in their full decision, that decision was based on “all the facts of the case”. That is, things might have turned out differently had the Australian Federation Against Copyright Theft (AFACT) or iiNet handled things differently. We’ll never know.

Since I wrote for Crikey, my ZDNet Australia colleague Josh Taylor has been tracking the reactions. I daresay there’ll be more to come across the weekend.

Now when I spoke to the ABC’s Richard Glover just after the 4pm news this afternoon — that’s the audio you’ll hear here — the scene was set first by Glover’s slightly-misleading introduction involving pubs and then AFACT’s managing director Neil Gane. So I was working within that framing. I’m not sure how well I did.

Play

Obviously time was limited. Had I had more time to speak, I would have said:

  • We do keep talking about the experience of the music industry, but that’s because they’re further down the path of replacing traditional distribution mechanisms with the internet. It might be worth the film and TV industries having a look at that and seeing what they can learn, rather than just being in denial.
  • Yes, the economics of making a big blockbuster movie are very different from making a music album. But the film industry decided to take the blockbuster path with all the expensive hangers-on that that business model entails. No-one is forcing them to do it that way.
  • With distribution costs tending to zero, those who run the traditional distribution models need one heck of a lot better argument to justify the amount of money they charge than “Oh no, it’s all different now”.
  • They talk about the industry being in decline, but that’s because they only count themselves. As a totality, people probably spend more on entertainment than they ever have done. It’s like the Myer and David Jones and Harvey Norman stores whinging about the decline of retail. No, retail overall is doing just fine. The bit that’s failing is them — the people doing things the same old way and not adapting to the change.
  • No business model has a right to exist. Maybe the age of big movies and big TV productions is over. It wouldn’t be the first time a form of entertainment had died because it was no longer viable, and it wouldn’t be the last.

The audio is of course ©2012 Australian Broadcasting Corporation, but as usual I’m posting it here as an archive.

I reckon Benno Rice was right when he tweeted that this card is definitely for me. Consider this little sequence from Twitter early this morning.

Leslie Nassar had just tweeted that he’d had a dream where Channel Seven’s Sunrise program was “throwing One Direction celebretweens at super-fat versions of TV chefs carrying butterfly nets”.

I responded thusly (here with some minor improvements to the flow):

In the last dream I recall, the hipster wouldn’t shut up so I slowly sawed off both his hands at the wrist with a knife.

At first he thought I was joking, but as the blade worked through the tendons he realised in terror that I was serious. Blood everywhere.

I threw his hands onto the floor in front of where he was sitting against the wall and left him there, whimpering. His friend went quiet.

And then I woke up. Pulse racing. Sweating. Breath gasping. I couldn’t go to sleep after that, so I made coffee and read the news.

Why am I telling you this? Well, a week from today I’ll be flying to Perth to… to… [gulp] to speak at #DigitalMe. Yes. Speak. That’s it.

I would like to have a dream with butterfly nets. I think butterfly nets would be quite lovely fun.

I think I will make a coffee now. And read the news.

The title of this post comes from a subsequent tweet by the Snarky Platypus. “Are you going Wolf Creek on hipsters again?” He makes it sound like a bad thing…

Incidentally, if you do a Google Images search for the text “I don’t get nearly enough credit for managing to not be a violent psychopath” you will discover moist, sticky muffins and a dwarf-eating hippo. You’re welcome.

Sean Carmody aka the Stubborn Mule has demonstrated, using chart porn, that my Twitter followers follow Benford’s Law.

Or more precisely, that Benford’s Law is followed by the distribution of the number of Twitter followers that each of my Twitter followers has in turn.

“Benford’s Law of Anomalous Numbers states that for many datasets, the proportion of data points with leading digit n will be approximated by log10(n+1) – log10(n),” says Carmody with a straight face.

So, if you look at the chart, you’ll see that there’s more followers with a follower count starting with a “1″ (so 1, 11-19, 100-199, 1000-1999 etc) than with a “2″ (2, 20-29, 200-299, 2000-2999 etc) than with a “3″ (3, 30-39, 300-399, 3000-3999 etc) and so on.

He does note in another chart that there seems to be a spike of followers with just one follower each. I’m wondering whether that’s about spammers.

My usual weekly summary of what I’ve been doing elsewhere on the internets. This post covers the week from Monday 9 to Sunday 15 April 2012 — another short week in terms of writing and media production, thanks to the 4-day work week after Easter.

There’s no photo this week because I lost my camera — though it has since been found in the Blue Mountains taxi where I dropped it. I’ll be collecting it on Sunday, probably.

There was also quite a bit of disruption thanks to the need to perform some emergency geekery. I may or may not write about that another time.

Podcasts

  • Patch Monday episode 133, “OS X botnet: disaster or speed bump?”. A chat about the Flashback botnet with Chris Gatford, director of penetration testing firm Hacklabs, and applications architect Benno Rice.

Articles

Media Appearances

Corporate Largesse

None.

The Week Ahead

I’m in Sydney all this week too, before returning to Wentworth Falls on Sunday afternoon. My main task is to complete a feature story for ZDNet Australia and an opinion piece for CSO Online. I’m also attending two launch events for new “smart TVs”, one for Samsung and one for LG. And apart from that I’ll be attempting to avoid the seasonal affective disorder that usually strikes at this time of the year.

Elsewhere

Most of my day-to-day observations are on my high-volume Twitter stream, and random photos and other observations turn up on my Posterous stream (or they used to before my phone camera got a bit too scratched up). The photos also appear on Flickr, where I eventually add geolocation data and tags.

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