Arts

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Photograph of detail from Fiona Hall sculpture: Tender

I’ve always liked the witty, organic forms of Fiona Hall‘s sculpture. A massive collection of her work, Fiona Hall: Force Field, currently fills two floors of Sydney’s Museum of Contemporary Art. It’s an almost overwhelming but immensely satisfying journey through her mind.

The photograph shows details from “Tender”, a collection of birds’ nests made from shredded US dollar bills. They’re incredibly realistic — especially in the exhibition environment where they’re collected into museum-style glass cases with each species’ nest labelled with its scientific name on the front of the case, the banknotes’ serial numbers listed on the back.

Other works include the finely-detailed sculptures of Paradisus Terrestris made from sardine cans, Scar Tissue, Understorey, Cell Culture and Leaf Litter. There’s also a smattering her photographs, and something about bees.

Cell Culture and many other works such as Dead in the Water are constructed from myriad tiny glass beads threaded on fine wire, shaped with loving attention to detail into precise organic forms. Photographs do not do them justice — you must see them in three dimensions, walk around them, revel in their reality. A video shot on a tropical field trip with botanists in search of blooming water lilies reveals Hall’s passion for getting it right.

Hall’s work explores the boundaries between the natural and the man-made with subtlety and humour. Works like Leaf Litter show how the global plantscape has been shaped by human economic “needs”. I’m still bubbling with the thoughts it triggered the morning after.

Fiona Hall: Force Field is at Sydney’s MCA until 1 June 2008. Free entry. Give yourself at least an hour for just this exhibition, let alone what else the venue offers.

[Photograph: Details from "Tender" 2003-2005; Image from Roslyn Oxley9 Gallery via UTS Gallery.]

I’ve just been reminded that the best Australian source for information on copyright is the Australian Copyright Council, especially their information sheets on permissions, compliance and infringement and websites, the internet and software.

27 April 2008 by Stilgherrian | No comments

The wonderful Marcus Westbury, creator of the TV series Not Quite Art (amongst any other achievements) now has a web presence at www.marcuswestbury.net. Enjoy.

09 April 2008 by Stilgherrian | No comments

Poster for the movie High School Musical

When I went to Thailand last year, Thai Airways International was generally excellent — except for their choice of in-flight movies. Sorry, but even after a couple glasses of wine and several brandies High School Musical is a piece of shit.

I’d originally guessed that it was only screened because it somehow matched the Thai sense of sentimentality. But no. I soon discovered it was such a success — it even won an Emmy! — that Disney made a sequel with the imaginative title High School Musical 2.

I was really, really hoping that was going to be the end of the story. But no (again). Touring Australia in April and May is… High School Musical: The Ice Tour.

Sadly, this show doesn’t involve the dentally-perfect racially-balanced lead characters in some meth-fuelled rampage but… yes… ice skates. Somebody get me a bucket.

Photograph of metal sculpture attached to a light pole in Newtown

This happy little chap was found on a lamppost near ’Pong’s favourite tunnel under the railway in Newtown, Sydney. There are others in the vicinity, and I may seek them out for your enjoyment.

I enjoy writing (and talking about the things I write about) far more than I enjoy farting about with technology. For me the technology is a means to an end, not the end itself. But do I really want to be a writer full time?

Sometimes I do. Especially on days when things haven’t gone so well with clients. Then on other days I read stuff like Hugh MacLeod’s piece the quiet life of a writer yak yak yak. Explaining how he loved Hemingway and Graeme Greene, he says that even though their books were very different their daily routines were pretty much the same.

Basically, they’d live somewhere cheap, quiet and relatively conducive to getting a lot of writing done. The Florida Keys and Cuba in Hemingway’s case, the South of France in Greene’s.

They’d get up early each morning, then write diligently till noon.

Then they’d head for their local café, drink gallons of booze for hours on end, and stagger home late at night.

Then they’d do the same thing the next day. And the next. And the next. For years on end. Women came and went, friends came and went, children came and went, money and fame came and went, but the daily writing-booze combo remained the great constant.

I’m not sure I like the idea of staggering home drunk every night, but as somebody who likes to write, likes his beer, and likes the simple life, I can’t say I find their overall Modus Operandi unappealing.

On a sunny Friday morning in Sydney, in the city’s most beautiful time of year, I think I agree.

And now, back to reading a company’s office manual so we can build them a CRM system…

Diagram of The Long Tail, showing that you only need the top 1000 true fans to reach your financial target

“A creator, such as an artist, musician, photographer, craftsperson, performer, animator, designer, videomaker, or author — in other words, anyone producing works of art — needs to acquire only 1,000 True Fans to make a living.”

So says Kevin Kelly, founder of Wired magazine, in his latest essay 1000 True Fans.

It’s worth reading the full essay to completely grok what he’s on about. But in brief, a “true fan” is someone who’ll purchase anything and everything you produce.

They will drive 200 miles to see you sing. They will buy the super deluxe re-issued hi-res box set of your stuff even though they have the low-res version. They have a Google Alert set for your name. They bookmark the eBay page where your out-of-print editions show up. They come to your openings. They have you sign their copies. They buy the t-shirt, and the mug, and the hat. They can’t wait till you issue your next work. They are true fans…

Kelly’s point is that the Internet allows you to find and stay in touch with True Fans cheaply and easily — globally. He gives some useful numbers to help think it through, and opoints to some examples which are already working.

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Photograph of scene from The Fabulous Punch & Judy ShowOK, I don’t see much theatre these days. But when I do, I usually stumble across something special. And so it was with The Fabulous Punch & Judy Show.

In many ways this is perfectly a standard Punch & Judy show, apart from using live actors instead of puppets. And apart from three actors playing Punch simultaneously, including Arky Michael. And apart from the gay angle, with Punch’s masculinity under threat from an attractive youth.

And apart from a most disturbing version of a Sherbet song.

Written by Brent Thorpe, who also plays Punch, and directed by Anthony Skuse, this play is a dark, wittily delicious one-act treat. ’Pong’s photos show off the simple but effective staging. I suspect it’ll be swamped by other, higher-profile Mardi Gras fare, but it deserves to pull audiences.

The Fabulous Punch & Judy Show is playing at the Cleveland Street Theatre, 199 Cleveland Street, Redfern, until 29 February.

[Disclosure: My old friend Garry Finch is stage manager and he gave us tickets, but I wrote this of my own accord.]

Image of Ginger Nut t-shirt

The headline says it all.

  1. Rhys McDonald has designed a Ginger Nuts t-shirt, on sale for about AU$25. This isn’t especially astounding news, but I wanted to finish the night’s blog postings with a picture and it was the only one handy.
  2. I am one of only 3 members of the Royal Order of the Gingernut — something which I’m still proud of, so I’ll tell you the old story… and show you an embarrassing photo.

Once upon a time, in a galaxy far away, I was a member of the Society for Creative Anachronism (SCA), an international organisation dedicated to the study and recreation of pre-17th century European History.

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Chairman Rudd’s got a clever strategy going, unless it’s just a coincidence. The usually-secret Red Book warns of approaching “challenges” like climate change, an aging population and the economic growth of India and China. Then we announce the Australia 2020 Summit.

As any management consultant will tell you, develop a shared vision and folks will endure short-term pain — like interest rate rises and having to change the light bulbs.

Actually I’m not that cynical about it. I’m quietly enthused. After a decade of Howard’s backward-looking short-term thinking we seriously need to look to the future. Fast. Of course, back when Barry Jones was science minister we had a permanent organisation to keep watch, the Commission for the Future. Maybe I’ll read Lessons from the Australian Commission for the Future: 1986-1998 [PDF file] when I get the time. But I digress…

If Chairman Rudd wants 1000 of our “best and brightest” in Canberra on 19-20 April, who should they be?

It’s flattering that Nick Hodge and Peter Black nominated me, bless their sycophantic little hearts. And I’ve already gained four votes at Bloggerati. I’d love to be part of this Summit, sure, because I’d be Fighting the Hallucinating Goldfish hands on. However I have a few more modest suggestions…

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