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Photograph of poplar trees at Newington College, Stanmore, Sydney, through the morning mist

Once more around the cycle. As I did last year, and almost every year, I paused a moment yesterday to mark the Winter Solstice. It is the same, but different. Once more around the cycle…

Rather than a fragile tealight flame, this year I have a robust church candle. Another cold, damp day, but the Solstice is at 3.45pm instead of 9.59am. This time it’s actually raining. A gentle raindrop pattering just manages to drown out the distant noises of city traffic.

Sitting in almost the same spot as a year before — not exactly the same, because the ground is wet and foolish consistency is the hobgoblin of little minds — my awareness is heightened about what’s changed, what’s the same.

Last year, we’d only just emerged from a long drought. This year, everything is greener, more healthy. The poinsettia is still in flower, a bright, deep red, rather than dying petals on the ground. This year, the heavy jets are taking off, not landing. Just as bright, just a shiny, just as loud, but taking off for — literally — new horizons. New possibilities.

As of course am I, and soon.

After another year in the same home, I’ve gotten to know the daily sounds and rhythms. Without turning, I know the roar behind me is not merely a heavy jet taking off, but specifically a Boeing 747. The engines have a distinctive higher-pitched whine mixed with their roar.

And they’re the loudest thing in the sky. Usually.

Some 300 metres away, a rainbow lorikeet darts and skims home. Even though it’s just visible as a silhouette in the distance, and silent, I know it’s a lorikeet from the way its wings move in flight. Similarly, a sulphur-crested cockatoo gliding through the mist to land on the nearby school sportsground is distinguishable from its close cousin the corella, simply by its gestures in flight.

A child’s balloon — electric blue and oh so shiny and bright! — appears from nowhere and scuds over the house just as another 747 — white and oh so shiny and bright! — roars overhead, just as the rain eases off. I’ve always loved watching these heavy craft taking off into the west, especially at dusk. Even in the 21st Century there’s still a sense of wonder about starting a new journey, is there not?

Just as this particular jet banks and turns to choose its outbound path, seemingly at random but in fact chosen according to a pattern which shares the noise of takeoffs amongst everyone living below the flightpath, a bright patch appears in the sky. A little break opens up in the otherwise even grey cloud bank precisely between me and the Sun. And the 747 chooses to break through the clouds precisely in that very spot — spearing the emerging possibilities as accurately as a hunter’s spear.

I check the time.

It is precisely 3.45pm.

Precisely the Solstice.

And then the rain starts again. The break in the cloud closes gently. Another lorikeet, much closer, squawks. Just once. And he’s gone.

Another time around the cycle…

Screenshot from Project TOTO video diary, with Gnaomi the topless gnome and Apollo the cat

People have been asking whether I’m excited about my trip to Africa. To be perfectly honest, I’m not.

Or at least not yet.

Project TOTO is still too abstract. There’s no firm dates, there’s no clear itinerary and, from a project management point of view, no clearly defined goals. Not because the project isn’t happening or doesn’t have support or isn’t being planned properly, but simply because that detailed conversation with ActionAid Australia about priorities has yet to take place.

That conversation is scheduled for this coming Friday 12 June.

Meanwhile, I’ve had many, many things on my mind. Most of them are completely unrelated to Project TOTO. But all of them have conspired to make the last three weeks extremely stressful indeed.

That’s one reason why my last video diary was back on 21 May. That’s a screenshot at the top of this post. I’m looking tired, eh? And I’ve been even more stressed since.

It’s time to catch up. So, even though this is the Queen’s Birthday holiday, here’s a rambling update. With some pictures.

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Two photographs of Stilgherrian, one recent, and one from circa-1980

It’s my birthday. To mark the occasion, ’Pong took a photo the other day which reflects a self-portrait it took many years ago — possibly in 1980 though I can’t be sure. Nothing’s changed.

Since every blog post should link to at least one other thing, do consider whether I look like Ja’mie King, whether you like the unshaven version, or the scary version.

Photograph of Thai Airways International Boeing 747-400 at Sydney Airport

Just 18 months ago, I wrote about how this ordinary aircraft would change my life. And it did. This Boeing 747, or one very like it, took me on my first trip outside Australia, to Thailand. I’m about to be changed again. Dramatically.

I can’t tell you about my SEKRIT project just yet, except that it will expose me to things which are Very Different from anything I’ve experienced in my life so far. This morning, though, I’ve been re-reading the pieces I wrote when I returned from Thailand, each labelled “Unreliable Bangkok”.

You may like to re-read them with me now. I quite liked them at the time. If nothing else, the photographs are interesting. Perhaps.

My SEKRIT project will also involve international travel, but not to Thailand. I’ll be posting every day while I’m away — because that’s the point of the trip! — and more reflective pieces upon my return. Stay tuned.

Photographs of fictional Ja'mie King and Stilgherrian

On the right is perhaps one of the best photos of me ever, taken by @funkycoda on Saturday and posted by Miss Wired. Snarky Platypus reckons I look like Ja’mie King, that’s “her” on the left. Ahem.

Now I’m not that sure that I like this comparison. However Courtney Gibson says, “Ja’mie is a beautiful and sweet-natured Australian girl in the first flush of womanhood — at least u can feel flattered.”

Should I be flattered? Really?

[Update 28 April 2009: Edited to correctly credit the photo.]

While it’s good to have been writing for Crikey and doing some more radio work, too much of this website lately has just been me pointing to other material elsewhere. It’s time to write more about the things that truly interest me. Yes, I will be trying to find the time for more essays like last year’s Anzac Day rememberings. This will be particularly important if and when my Secret New Project gets the green light — and that’s 90% likely to happen, with the go-ahead in a week or so. Stand by.

21 April 2009 by Stilgherrian | No comments

Photograph of notebook page reading: Stilgherrian will die by Pong 12.04.09

Not since Saturday Night at The Duke and Another brain in my notebook has a notebook page ended up on this website.

Nicola, your attempt to pass blame to ’Pong is completely transparent. We all know you wrote this. There are witnesses.

Photograph of Stilgherrian poking out his tongue, courtesy of Miss Wired

I’ve been taking time out across the Easter weekend to ponder my future. As part of that, I’ve started collecting other people’s impressions of me.

There’s three key issues. One, I need to simplify the massive range of media projects I’m doing or have dreamed up, and cut them back to what’s actually possible to achieve. Two, I have to find the right balance between income-generating media projects, purely playful or “public service” media projects which don’t earn money, and perhaps still a few geek-related things which do pay well. Three, how to reach this state of nirvana without pissing off clients or screwing up my cashflows.

Tricky, eh?

Anyway, more on that anon.

Thanks to that Internet thing, I’ve found a few curious descriptions of me already. Can you provide any others?

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Back when I was cool (roughly 1990-1995), I was executive producer of a four-track vinyl release of new Adelaide dance music: The Core EP, named after our magazine The Core. The lead track We Are The Future was by DAMC (Dave McCann) and DJ Brendan. And here it is.

If that YouTube player doesn’t work for you, try directly at YouTube.

Dave writes:

[It] then got licensed to Rabbit City Records UK, released on the Australian EP 12″. You can also find it on a Vicious Vinyl CD compilation. Carl Cox gave this track a lot of spins in 1994.

Dave has also posted a list of all the music he made as DAMC.

Other tracks on the EP were by Aquila (Matthew Thomas), Quantization (Mat Farrington) and Maas Unconscious (a duo whose names escape me just now).

One of the little annoyances in my life is that the clock on the Newtown Post Office in Sydney is permanently stuck at 3.45pm. Public clocks, key piece of civic infrastructure in the Victorian age, are now neglected.

I was therefore rather pleased to stumble across this video clip promoting the Stopped Clocks movement which appeared on the BBC’s The One Show .

Would anyone like to start a Sydney chapter with me? If so, what Stopped Clocks do you know about?

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