crikey

One of the Rudd government’s election promises was a national fibre-to-the-node (FttN) broadband network, putting at least 12Mb/sec download speeds within reach of 98% of the Australian population. Tuesday night’s Federal Budget kept that promise. I think.

Here’s how I wrote about it for Crikey yesterday:

Of $4.7b promised for the National Broadband Network, only 0.16% has been committed: $2.1m this financial year and $5.2m next for “establishment and implementation”. The remaining 99.84% — you know, actually building the thing — is all “nfp”. Not for publication. We’ll get back to you.

Spending is now “up to” the pre-election $4.7b figure. Broadband is competing with run-down roads, railways and ports for a share of the $20b Building Australia Fund, where “disbursements… will be subject to budget consideration, and will be spent responsibly, in line with prevailing macroeconomic conditions.”

Whatever the final budget, Australia will still be rolling out a 12Mb/sec network in 2012. Other countries are rolling out 100Mb/sec networks now.

It really is building yesterday’s network, isn’t it.

Joy (I think). I’m part of Crikey’s commentary team for Australia’s 2008 Federal Budget to be announced tonight at 7.30pm Sydney time. It’s the first budget for Chairman Rudd’s Labor government, and the first for treasurer Wayne Swan, so it’s bound to interesting.

My role — at least as I understand it, ‘cos I haven’t actually spoken with my editor yet — is to look at it from a geek perspective. That’ll include, I imagine, issues I’ve previously covered for Crikey: Internet censorship, the ABC’s move into Internet TV, social media, the national broadband network…

But what else should I look out for?

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Here are the web links I’ve found for 06 May 2008, posted automatically.

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I’d planned to write something else today, but if I don’t mention this article now then I’ll appear way out of touch. Mark Pesce has just posted another magnificent essay: The Nuclear Option.

It’s a commentary on how Twitter and similar tools which help us create instantaneously-connected global social networks are changing the world. Entertainingly written too, as always — and not just because he mentions me.

I won’t quote. it. Just read it. Then make a cup of tea, read it again, and stare out of the window for a while.

eBay Australia isn’t exactly making friends by requiring its sellers to use eBay-owned PayPal to receive their money. No more direct bank deposits, cheques, money orders or your own card merchant account. I’ve written about this twice for Crikey [1, 2], but today there’s more news: the Reserve Bank might weigh in against eBay.

Here’s how I first described the scenario:

Imagine that you’re Alice, proud owner of the new shoe shop at your local Westfield. Bob is buying a pair of brogues. As Bob opens his wallet, suddenly Frank Lowy appears. “There’s some terrible con-men around,” he intones gravely. “Let me handle that.” He grabs Bob’s cash and pockets a fiver. “I’ll give you the rest next Wednesday,” he says, and disappears.

Alice, understandably, is mightily pissed off.

Sellers on eBay have been mightily pissed off overnight too, because the world’s biggest online marketplace has just pulled the same stunt. From 21 May, all eBay sellers must offer PayPal as a payment method. And from 17 June — unless the buyer is physically collecting the item from you or for a few big-ticket categories like real estate and motor vehicles — they must pay you via PayPal.

Now as Alex Willemyns pointed out, Alice could just set up shop elsewhere. Bob could choose another shoe store. However since Westfield and eBay both dominate their respective markets, that could well be a poorer choice.

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Following my semi-snarky review of ABC Playback in Crikey last week, journalist Melinda Houston thought I might have something valuable to say for her piece in Melbourne’s Sunday Age yesterday. Apparently I did, ‘cos my quote led the piece, and there was a slab of me later.

The article opened thusly:

“I SUSPECT many people who have had extremely successful careers in television are baffled by what’s happening now,” says former broadcaster and now new media consultant Stilgherrian (yes, just the single name — very 21st century). “They need to spend an afternoon with a bunch of 15-year-olds.”

The self-confessed uber-geek is one of a coterie of middle-aged men who have lost patience with traditional broadcasting. But if he was 15, or even 25, he’d be the norm. Rumours of the death of television may be exaggerated, but there’s no doubt it’s taken a hit.

It’s worth reading the entire article, because it’s a good summary of how the Internet is affecting TV, aimed at a mainstream audience. However I’ll quote my own bits here, just in case Fairfax decide to take it offline one day.

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OK, so I didn’t make the 1000 “best and brightest” going to the Australia 2020 Summit. Nevertheless I’m still very interested in Topic 9, “the future of Australian governance: renewed democracy, a more open government (including the role of the media), the structure of the Federation and the rights and responsibilities of citizens.” What should I do?

There’s still the possibility of getting media accreditation, or perhaps connecting to the themes of the event in some other way. Here’s a brain-dump of my thoughts on this sunny Sunday morning… comments appreciated!

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I think I might make this a regular feature? Should I just use some automated social bookmarking tool to generate the page?

• Over at New Matilda, Ben Eltham has written a fine summary of The Super Seasprites Saga. He links to an explanation of the sunk cost fallacy which probably contributed to this monumental fuck-up.
• Laurel Papworth’s piece 2020 Summit: Objective Journalists vs Passionate Blogging, which I’m planning to respond to at length some time this weekend.
• A piece from The New Yorker, Scents and Sensibility: What the nose knows, which ponders, amongst other things, why one molecule smells of spearmint when its exact mirror image smells of caraway. (Hat-tip to 3 Quarks Daily.)
• And for a change of pace, try the selection of First Dog on the Moon cartoons which were published in Crikey through January and February.

Four pieces feels about right for today.