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Boy Genius: Aaron Swartz at the Creative Commons Salon, 9 March 2006, photographed by Buzz Andersen: click for original on FlickrThis photograph by Buzz Andersen has been haunting me for the last hour. It’s Aaron Swartz, seen at the first Creative Commons Salon in 2006. And over the weekend we heard news that Swartz is now dead, aged just 26, from an apparent suicide.

My challenge for today is writing something about the meaning of this bold and bright young man’s life and death. Something new to add to the whirlpool of words that has been devouring the internet from its geekier nether regions all the way to the mainstream press.

This is why, despite my expressed intention to write more last night about my slowly-evolving plans for 2013, I wrote no such thing. Having slept on it, though, I have an answer to both problems.

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ABC logoBy the time I got to doing my third radio spot about the Instagram saga, the issues were clear in my mind and I had a few well-rehearsed sound bites. So my final spot on ABC 666 Canberra was smooth.

I don’t think I need to provide any more background. My conversation with Louise Maher stands for itself, I think. We didn’t speak for as long as we’d originally intended, but they also had to update their listeners on the progress of some bushfires and that does have priority.

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This audio is ©2012 Australian Broadcasting Corporation, and is an unedited copy of what went to air, though the ABC has not posted it online as far as I know.

At some point in the next few days I’ll post further thoughts about this Instagram incident. Stay tuned.

ABC logoWith ABC Radio National Breakfast out of the way, I settled down to write my Crikey story about the Instagram saga.

By that stage my understanding of the story had evolved.

I was becoming increasingly cranky with so many people, including many who should know better, pushing the “Instagram wants to sell your photos” line. Failing to distinguish between selling a license to use a photo in various ways and selling the ownership of the photo itself was a massive failure. The difference is as clear at that between selling a house and renting it out to a tenant.

There was also a clarification from Instagram, making it clear that they weren’t seeking such ownership, admitting that they really hadn’t figured out precisely what it was they wanted to do with users’ photos, and agreeing that the language was open to misinterpretation.

I incorporated this into my Crikey piece, which was given the headline: Users snap over Instagram, but should have seen it coming.

In hindsight, and had I know this was to be the headline, I wouldn’t have been so blunt in my final paragraph.

The core lesson here is that services like Instagram aren’t free. You pay for them by licensing the operator to use your content and other data in various ways. If you don’t like that, well, pay for your goddam internet hosting yourself.

All I meant by this was that internet hosting is pretty cheap these days, and there’s plenty of low-cost providers to choose from. It’s not as if Instagram is a public service that owes you anything.

In any event, I filed the Crikey story before midday as usual. It seemed to me that Instagram was responding appropriately, and I’d always thought they were at the responsible end of social networking. My thoughts were now moving to the future. Would Instagram be able to prove they were worth their billion-dollar price tag? How would they behave if they didn’t start generating revenue?

But on the way to a lunch in the Sydney CBD, I ended up discussing the issue with a journalist for ABC TV’s 7.30 and a producer with ABC 666 Canberra. It was becoming clear to me that for most people in the media this was a brand new issue. Further media spots were being organised.

The next to be recorded, though not the next to go to air, was with ABC Radio’s national current affairs program PM. What pleases me about this piece, I think, is that the “tape ID” — the bit at the front of a recording where you identify who you are so there’s no confusion later — was included as part of the story. Because I used the word “arsehattery”.

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This audio is ©2012 Australian Broadcasting Corporation, and is an unedited copy of the original audio posted on their website. There’s a transcript over there too, where they spell arsehattery “ass-hattery”. The journalist was Will Ockenden.

ABC logoWednesday was a strange day for me this week, unexpectedly dominated as it was by the public outcry over photo sharing service Instagram changing its terms of use to make it explicit that people’s photographs could be used for promotional purposes.

This is the first of a series of posts that document the media that I was involved with that day — eventually three radio spots and a story for Crikey, plus discussions with a journalist at ABC TV’s 7.30 for a story that ended up not happening — as well as the evolution of my own thoughts on the topic.

I’d gotten up early that morning to work on a Crikey story about the risks of big data, so I was already in media mode when I saw the tweets starting to flood out.

Instagram was claiming the right to sell your photos, they claimed — which I found most unlikely because they can’t sell what they don’t own, and social networks have long since given up trying to claim ownership over their users’ content. At least the ones that intend lasting more than a week online.

Sure enough, I looked at Instagram’s proposed new terms of use, and they actually made it quite explicit that they were not doing that. As I expected, they were seeking the right to use photographs in connection with promotions of unspecified nature — though they’d stated the fact that you wouldn’t be paid for this rather baldly.

To help us deliver interesting paid or sponsored content or promotions, you agree that a business or other entity may pay us to display your username, likeness, photos (along with any associated metadata), and/or actions you take, in connection with paid or sponsored content or promotions, without any compensation to you.

Moreover, it looked to me like Instagram’s existing terms of use already gave them this right, though the wording was vague.

… you hereby agree that Instagram may place such advertising and promotions on the Instagram Services or on, about, or in conjunction with your Content. The manner, mode and extent of such advertising and promotions are subject to change without specific notice to you.

In retrospect, I think both are worded rather vaguely, with a phrase like “in connection with” being able to cover a multitude of sins. But “without any compensation to you” is clear enough, and that obviously triggered the fears.

But Instagram’s actions weren’t unusual, they weren’t claiming ownership of your photos, and there was no need to panic — and that’s what I tried to stress in this first media spot, a chat with John Doyle on ABC Radio National Breakfast at around 0840 AEDT.

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This audio is ©2012 Australian Broadcasting Corporation, and is an unedited copy of the original audio posted on their website.

Milorad “Michael” Trkulja’s defamation case against Google was also the topic for my regular spot on Phil Dobbie’s Balls Radio this week.

Here’s the audio of my segment — Skype drop-outs and all — in which we go well beyond defamation law and Google’s reliance on the defence of “innocent defamation” and the argument put in my Crikey piece about needing a third category of “speech”, to talk about a lack of vowels and discovering that the missing $50 was actually spent on vodka.

There’s also references to Mark Pesce, Senator Stephen Conroy and Naomi Robson, as well as our impromptu plan to replace the justice system with a TV program that’s a cross between The X Factor and Judge Judy.

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If you’d like more Balls Radio, have a listen to the full episode. You can subscribe over at the website.

A Melbourne man’s successful defamation suit against Google has been one of the big “technology” news stories this week. I wrote about it for Crikey yesterday, and spoke about it on the radio.

The Crikey piece, “Google defames us all, but should we sue?”, is currently behind their paywall, though you can sign up for a 21-day free trial. It will emerge from the paywall in two weeks.

In it I argue that we may need a new legal category for online conversations, something that’s obviously not private but also not as formal as “publication”. I’ll come back to that theme once you can all see the story for free, you cheapskates.

Yesterday afternoon I briefly outlined the case to Richard Glover on ABC 702 Sydney. And here’s the audio.

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The audio is of course ©2012 Australian Broadcasting Corporation, but as usual I’m posting it here as an archive.

My regular spot on Phil Dobbie’s Balls Radio this week was a conversation (yes, another one) about the Australian government’s data retention proposals.

Here’s the audio of my segment. As you’ll hear, it’s much the same argument as in my last post about the Patch Monday podcast, with random asides about the meaning of misogyny and what should be done with real estate agents.

Yes, there’s a few audio dropouts. Welcome to the joys of using Skype over Telstra Next G mobile broadband while 1.5 kilometres into the eucalypt scrubland.

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If you’d like more Balls Radio, have a listen to the full episode. You can subscribe over at the website.

There aren’t many places in the world where you can openly accuse the nation’s top police and intelligence agencies of having an attitude problem, as I did on Monday, without being visited by the men in the van with the canvas sack. Which is a good thing.

In this week’s Patch Monday podcast, embedded immediately below for your convenience and CBS Interactive’s traffic logging, I departed from the usual format to present a personal opinion.

Data retention for law enforcement is one of the most important political issues relating to our use of the internet now and as far into the future as we care to imagine, I said, and it’s being mishandled.

The Australian government’s current one-page working definition (PDF) of what constitutes communications metadata (which can be requested by law enforcement agencies without a warrant) as opposed to communications content (which generally does require a warrant) is, to anyone with a technical understanding of how the internet actually works and is evolving, virtual gibberish.

“Dangerously immature” is how I described it.

I also raised three points where I think the version of reality being promoted by the Australian Federal Police (AFP) and the Australian Security and Intelligence Organisation (ASIO) is wrong.

  • This is a push for more power. We conduct so much more of our lives online than we ever did on the phone, and that means the balance of power is changing. We need to have a conversation about this.
  • The AFP says quite specifically that they’re not after our web browsing activity, but I don’t see how the working document supports that argument. And other agencies, including the Australian Securities and Investment Commission (ASIC), are after that stuff.
  • ASIO and the AFP constantly talk about the powers being needed to catch the terrorists and pedophiles. But the law will probably be modelled on the current law for the phone, which provides access to communication metadata to many other agencies with far less stringent accountability rules for many other, far less serious, crimes.

Please have a listen and tell me what you think.

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The podcast stands on its own, but I want to emphasise the thing that still disturbs me…

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Last week the High Court of Australia denied Optus leave to appeal the Optus TV Now decision, which means their “video recorder in the cloud” service isn’t legal — and that was the topic for my spot on Phil Dobbie’s Balls Radio this week.

The conversation bounced off the analysis I’d written the day before for Technology Spectator, TV Now’s cloud complications.

As usual, the conversation wandered to other matters as well, such as the early broadcast radio industry selling receivers that could only receive one station.

Here’s the audio of my segment. If you’d like more, Mr Dobbie has posted the full episode.

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You can hear us talk live every Tuesday night from 7pm AEST on Sydney’s FM 99.3 Northside Radio.

I’m fairly sure that copyright remains with Mr Dobbie rather than being transferred to Northside Radio, but I’ll figure that out later.

The online bullying of TV presenter Charlotte Dawson and the subsequent calls for an end to online anonymity was the topic for my spot on Phil Dobbie’s Balls Radio last night.

And as usual, the conversation wandered to other matters as well.

Here’s the audio of my segment. If you’d like more, Mr Dobbie has posted the full episode.

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You can of course hear us talk live every Tuesday night from 7pm AEST on Sydney’s FM 99.3 Northside Radio.

I’m fairly sure that copyright remains with Mr Dobbie rather than being transferred to Northside Radio, but I’ll figure that out later.

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