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ZDNet Australia logo: click for Patch Monday episode 33

The perceived speed of your internet connection isn’t just about raw bandwidth. The National Broadband Network won’t automatically speed up everything.

In this week’s Patch Monday podcast, Steve Dixon from Riverbed Technology explains how inefficiencies in TCP/IP network protocols mean that latency can be as much of a problem as bandwidth. “WAN optimisation”, which is something Riverbed and others sell, can help.

And Kimberlee Weatherall, who teaches intellectual property law at the University of Queensland, puts the controversial Facebook “news feed” patent for “Dynamically providing a news feed about a user of a social network” into perspective.

You can listen below. But it’s probably better for my stats if you listen at ZDNet Australia — where you’ll see some of the comments already posted — or subscribe to the RSS feed or subscribe in iTunes.

Besides, you’ll get it faster than waiting for me to post it here.

Please let me know what you think. We accept audio comments too. Either Skype to stilgherrian or phone Sydney +61 2 8011 3733.

Streaming video service Livestream emailed their customers today about their zero tolerance on piracy policy. It’s yet another instance of Big Media being able to implement guilt by accusation.

I’ve just asked Livestream a few question:

Some questions about your “zero tolerance on piracy” policy. This is a media enquiry so please consider your response “on record”.

My questions concern due process.

I notice that you give “trusted rights holders” a tool to automatically shut down channels at their own instigation. I also notice that your example trusted rights holders are “Fox, Disney, NBA, MLB, NFL, UEFA, International Olympic Committee, WWE, UFC, Warner Bros, English Premiere League and British Sky Broadcasting”, i.e. the big end of the commercial media industry.

Most importantly, I notice that anyone who believes that the shutdown was in error must appeal the case afterwards.

Surely this process is “guilt by allegation” and puts the burden of proof onto a channel holder who is likely to have fewer legal resources than a big media player? Yet in most copyright regimes a channel holder may have legitimate “fair dealing” rights to rebroadcast material, such as for academic purposes, news reporting, review, or even satire.

When developing your policy, what input did you seek from people outside Big Media?

What processes do you have in place to perform follow-up “spot checks” of channel shutdowns? Do you actively contact channel holders for their side of the story? Do you inform channel holders of their legitimate “fair dealing” rights?

How long on average does it take you to process an appeal against a shutdown? What has been the longest time it has taken, and what was that case?

What assurances must “trusted rights holders” give to earn that trust? What training or other direction are they given in the legitimate rights of channel holders? What penalties do you impose on “trusted rights holders” who misuse the automatic shutdown tool?

Since it was introduced, how many times has the automatic shutdown tool been used? How many times have channel holders appealed against the shutdown? How many times has the shutdown been determined to have been in error? How many times have penalties been imposed on “trusted rights holders”?

You say:

Livestream’s mission is to provide the premiere interactive live streaming platform for every event owner, broadcaster and premium rights holder in the music, movie, newspaper, radio and television industries.

But what about the rest of your customers, those who are not “premium” rights holders? What assurances can you give them that their legitimate rights will be upheld?

I’ll let you know when Livestream responds.

The movie and music industries have been lobbying governments globally to introduce so-called “three strikes” laws. Three accusations of online copyright infringement — “accusations”, mind you, not proof — and you lose your internet connection.

Copyright-holders reckon this will help prevent copyright infringement. But the concerns are that we’re entering the realm of guilt by allegation, and potentially punishing innocent people by denying internet access to everyone in a household, not just the guilty party.

The internet is now central to everything from health and education to banking and politics, so that’s one heck of a big stick.

As this 10-minute video by comedian and activist Mark Thomas explains, the UK version of this proposed law, the Digital Economy Bill, has a nasty surprise. Section 17 would give the Secretary of State the power to amend the copyright laws without having to run them past Parliament first.

Um hello? “Parliamentary democracy”, anyone?

If the embedded player doesn’t work, you can watch the video on YouTube.

At this stage, the Australian Government is not yet considering laws like this. But that could change.

Earlier this month iiNet, our third-largest ISP, won a case in the Federal Court where Justice Dennis Cowdroy ruled that ISPs are not responsible for the copyright-infringing acts of their customers. I covered that for Crikey and in the Patch Monday podcast.

Since then, communications minister Senator Stephen Conroy has said he wants the copyright-holders and the ISPs to work out a code of practice on their own. However I reckon that’s just a delaying tactic to avoid discussing such a controversial issue in an election year.

The movie and music industries are fighting hard on this one. France and Japan already have three-strikes laws, to name just two. And the industries are devoting plenty of resources.

Mark Thomas points out they were late in using the internet to make money from their assets, and now they’re looking for someone to blame. Yes, the big players may well be making less profit that before. However the bulk of their profit was from distribution. Now the costs of distribution are almost nil — yet somehow they’ve managed to end up making less money. Fools.

They also reckon that if no-one can make money from their creative acts, it’ll be the death of creativity. But in the video, prehistoric musician Billy Bragg points out that while a few artists at the top end may be suffering, the internet has proved a boon for lower-ranked artists, allowing them to reach new markets at much lower cost.

This is a big issue. It’s a complicated issue. It won’t go away. We should all stay informed.

ZDNet Australia logo: click for Patch Monday episode 29

The iiNet decision was clearly the biggest IT news story last week, so this week’s Patch Monday podcast includes a comprehensive explanation.

My special guest is Peter Black, who teaches internet law at the Queensland University of Technology. But before you get to listen to him, you can endure my summary of Justice Dennis Cowdroy’s full decision.

You can listen below. But it’s probably better for my stats if you listen at ZDNet Australia or subscribe to the RSS feed or subscribe in iTunes.

Please, let me know what you think. We now accept audio comments too. Either Skype to “stilgherrian” or phone Sydney 02 8011 3733.

Crikey logo

It’s almost old news now, but last Thursday the Federal Court ruled that internet service providers (ISPs) are not responsible for the copyright infringements done by their customers.

The full decision by Justice Dennis Cowdroy is almost 200 pages long, yet I found it relatively easy to read and learned a lot.

I’ve written three stories for Crikey so far:

  1. iiTrial: ISPs not responsible for users’ copyright infringement, which was published just a few hours after the decision was handed down. It’s the basic facts of the decision.
  2. iiNet decision a slapdown for AFACT, movie industry, which focuses on Justice Cowdroy’s comprehensive criticism of the Australian Federation Against Copyright Theft (AFACT) — not just the way they conducted themselves in court but their whole approach to dealing with copyright infringement.
  3. Conroy tells movie industry, ISPs to kiss and make up, published yesterday. AFACT looked like they expected the government to intervene, but communications minister Senator Stephen Conroy is instead asking the movie and ISP industries to negotiate a code of practice themselves, presumably via the Internet Industry Association.

I daresay I’ll be writing more soon. Meanwhile, if you have any questions…

Tasmanian Liberal Senator Guy Barnett today called for an end to fair criminal trials. Well, effectively.

In Senate Estimates today, Senator Barnett discovered that the government had spent around $10 million on the legal defence of nine people charged with terrorism offences. They were eventually found guilty. So Senator Barnett reckons that legal defence was a waste of money.

Senator Barnett, who chairs the Scrutiny of Government Waste Committee, issued a media release earlier today headlined $10 million spent on legal aid to defend the rights of terrorists.

Apparently if someone is to be found guilty — which he must assume can be known in advance — then the cost of their legal defence is “government waste”.

Now people who are capable of joined-up thinking may see the logical problem and risk to human rights here. Like, you know, innocent until proven guilty and the right to a fair trial and all that stuff. So I’ve just sent the following email.

Read the rest of this entry »

Following up yesterday’s post about Tikatok, where I pointed out what I considered to be their overly-greedy grab for intellectual property rights over their users’ content, it turns out they’re changing that User Agreement.

Tikatok community manager Neal Grigsby writes:

I am Neal Grigsby, the community manager for Tikatok. I wanted to thank you and your readers for your comments about Tikatok’s User Agreement, and to let you know that we are in the process of updating the User Agreement to reflect that authors will own all original materials that they submit to Tikatok. Tikatok will own any underlying Tikatok templates that are used by the author while on www.tikatok.com, as well as any other content that is licensed from third parties by Tikatok.

That sounds more like an appropriate balance to me. I’ll post a link to the new policy when it appears.

[Update 25 November 2009: Tikatok is in the process of revising its User Agreement to reflect that authors will own all original materials that they submit. See the comment from Tikatok's Neal Grigsby.]

Screenshot of Tikatok website: click to visit website

“Always read the fine print,” we’re told. Too bloody right when it comes to scummy websites like Titatok. Watch out, kids, they’re stealing your creativity!

On the surface it looks pleasant enough. Smiling kiddies, pastel colours and the chance to share your child’s creativity with friends and family. But read the terms and conditions and you’ll soon see that the slogan “Capture your child’s creativity” is literally true.

Your child’s creativity will be captured. By Tikatok. They’ll profit by using your children for unpaid child labour.

Check out this section of their User Agreement with my emphasis added:

V. Ownership of Submissions

Certain areas of the Site will permit you to send materials to Tikatok such as stories and drawings. Upon submission, all creations, ideas, concepts, notes, drafts, stories, artwork, drawings, photographs or other information of any nature (collectively, the “Submissions”), submitted by an author to the Site shall be deemed to be, and shall remain, the property of Tikatok, and the author will be deemed for all purposes to have assigned all of his or her worldwide right, title and interest in and to such Submissions to Tikatok and waived any “moral” or author’s rights therein. None of the Submissions shall be subject to any obligation of confidence on the part of Tikatok, and Tikatok shall not be liable for any use or disclosure of all or part of the Submissions. Without limiting the foregoing, Tikatok shall exclusively own all now known or hereafter existing rights to the Submissions of every kind and nature throughout the world, and shall be entitled to unrestricted use of the Submissions for any purpose whatsoever, commercial or otherwise, without compensation to the provider of the Submissions.

The book or on-line display of the book on the Site will contain a notice substantially in the following form: “Copyright © 2009 by Tikatok LLC. All rights reserved.”

Yes, that’s right. Anything you give to Tikatok they claim as theirs. Upload a family photo or your child’s stories and drawings, and Tikatok will be able to do whatever they like with it, including sell it for profit, without any payment to you or even any acknowledgement.

Don’t you think that’s just a little bit disgusting?

I think this is appalling. Especially when Tikatok is focussed on the creative output of children. And specially when they’ve got the gall to say, further down in their User Agreement:

You may not use the Site for commercial purposes.

Now it’s common enough when you enter a competition, say, for your submissions to be licensed to promote that competition or the sponsor. That’s the exchange — in return for your chance of winning the prize. But this is naked theft. From children. I spit upon them.

As I say, always read the fine print!

[Hat-tip to Stephen Loosley for spotting this outrage.]

Stilgherrian’s links for 08 November 2009 through 18 November 2009:

See what happens when you don’t curate your links for ten days, during which time there’s a conference which generates a bazillion things to link to? Sigh.

This is such a huge batch of links that I’ll start them over the fold. They’re not all about Media140 Sydney, trust me.

Read the rest of this entry »

Stilgherrian’s links for 22 October 2009 through 27 October 2009, published after far too long a break. I really, really do need to work out a better way of doing this…

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