piracy

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My week from Monday 23 to Sunday 29 April 2012 covered the entire continent from Sydney to Perth and (at least later today) back again.

That’s Perth in the photo, with the Swan River just visible between the apartment buildings of East Perth. The photo was taken with my bashed-up HTC Desire phone and processed through Instagram.

Heck, if Zuckerberg reckons it’s worth a billion dollars I might as well have a look, right?

I’ll comment on Instagram itself later, and figure out a better way to integrate the photos into this website. Meanwhile, here’s a gallery of my Instagram photos, updated automatically.

And now on with the show…

Podcasts

  • Patch Monday episode 135, “iiNet wards off AFACT, but what next?” A summary of the High Court’s decision in Roadshow Films and others versus iiNet Limited, the initial reactions, and a wide-ranging discussion with Dr Rebecca Giblin, a copyright academic and geek from Monash University’s law school, who literally wrote the book on this subject: Code Wars: 10 Years of P2P Software Litigation. Keywords for the other things we mention are SOPA/PIPA, peer-to-peer production,

Articles

Media Appearances

Corporate Largesse

  • I wasn’t paid to present at DigitalMe, they did cover travel from Sydney to Perth and one night’s accommodation at Aarons Hotel including breakfast. Wine by Brad provided booze for the welcome drinks, as well as a bottle to take home. Food was supplied by Sorrento Restaurant, Northbridge.

The Week Ahead

A busy week of writing lies ahead, including a story for CSO Online and my presentation for the Saasu Cloud Conference the following week. I’ll also continue work on the feature story I’m writing for ZDNet Australia

I believe I’ll be back in Wentworth Falls for most of the week, but this could change at short notice. The Dopplr widget on the left-hand side of every page of my website is usually updated within an hour of plans changing, so always check there first — but bear in mind it has odd ideas of what day it is.

Elsewhere

Most of my day-to-day observations are on my high-volume Twitter stream, and random photos and other observations turn up on my Posterous stream (or they used to before my phone camera got a bit too scratched up). The photos also appear on Flickr, where I eventually add geolocation data and tags.

In February the Federal Court ruled that Optus TV Now, which recorded free-to-air TV on behalf of customers for more convenient playback later, was legitimate personal timeshifting as allowed under section 111 of the Copyright Act 1968. Yesterday the Full Federal Court overturned that decision.

This case has interesting implications. Originally, Justice Steve Rares said, effectively, that someone using a recorder-in-the cloud was still making a personal copy for domestic purposes. The fact that they’re using a recording device that’s provided as a service rather than sitting on the shelf under their television is irrelevant. The Full Court is saying, effectively, that the cloud provider is complicity in the action, which means it’s no longer personal, and in some cases may even be the sole actor.

This interpretation could have massive implications for providers of other cloud services. Could they be found to be copying data that they’re not entitled to? I’m no lawyer, so don’t ask me. But I can at least see that the law is having to deal with situations that are very different from the circumstances imagined when it was written.

Paragraph 100 of the Full Court’s decisions does say:

We should emphasise that our concerns here have been limited to the particular service provider-subscriber relationship of Optus and its subscribers to the TV Now Service and to the nature and operation of the particular technology used to provide the service in question. We accept that different relationships and differing technologies may well yield different conclusions to the “who makes the copy” question.

Will this decision be appealed? You bet.

Last night I spoke about the decision and its implications with Dom Knight on ABC Local Radio nationally — well, except for the analog transmitters that were broadcasting the cricket. I also spoke about the material I presented yesterday at DigitalMe in Perth.

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[Update: I just noticed that there's a couple of little audio gaps. I was recording off the stream, y'see. I'll fix them later.]

Personally, I stand by what I said in the opinion piece I wrote for the Sydney Morning Herald in February: Sport has to think outside the box.

If you’re in Perth today, the DigitalFamily event starts at 1000 local time at Northbridge Piazza. It’s free.

The audio is of course ©2012 Australian Broadcasting Corporation, but as usual I’m posting it here as an archive.

The big internet-related story in Australia today was the High Court’s decision in the so-called #iiTrial. I wrote the lead story in Crikey — read that now for the facts and my analysis — and just spoke about it on ABC 702 Sydney.

The High Court decided, as outlined in its summary [PDF], that internet service provider iiNet was not responsible for the copyright-infringing acts of its customers. But as explained in their full decision, that decision was based on “all the facts of the case”. That is, things might have turned out differently had the Australian Federation Against Copyright Theft (AFACT) or iiNet handled things differently. We’ll never know.

Since I wrote for Crikey, my ZDNet Australia colleague Josh Taylor has been tracking the reactions. I daresay there’ll be more to come across the weekend.

Now when I spoke to the ABC’s Richard Glover just after the 4pm news this afternoon — that’s the audio you’ll hear here — the scene was set first by Glover’s slightly-misleading introduction involving pubs and then AFACT’s managing director Neil Gane. So I was working within that framing. I’m not sure how well I did.

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Obviously time was limited. Had I had more time to speak, I would have said:

  • We do keep talking about the experience of the music industry, but that’s because they’re further down the path of replacing traditional distribution mechanisms with the internet. It might be worth the film and TV industries having a look at that and seeing what they can learn, rather than just being in denial.
  • Yes, the economics of making a big blockbuster movie are very different from making a music album. But the film industry decided to take the blockbuster path with all the expensive hangers-on that that business model entails. No-one is forcing them to do it that way.
  • With distribution costs tending to zero, those who run the traditional distribution models need one heck of a lot better argument to justify the amount of money they charge than “Oh no, it’s all different now”.
  • They talk about the industry being in decline, but that’s because they only count themselves. As a totality, people probably spend more on entertainment than they ever have done. It’s like the Myer and David Jones and Harvey Norman stores whinging about the decline of retail. No, retail overall is doing just fine. The bit that’s failing is them — the people doing things the same old way and not adapting to the change.
  • No business model has a right to exist. Maybe the age of big movies and big TV productions is over. It wouldn’t be the first time a form of entertainment had died because it was no longer viable, and it wouldn’t be the last.

The audio is of course ©2012 Australian Broadcasting Corporation, but as usual I’m posting it here as an archive.

My usual weekly summary of what I’ve been doing elsewhere on the internets. This post covers the week from Monday 23 to Sunday 29 January 2012.

This week included the last of my output from Linux.conf.au. I’ve just gathered all of my Linux.conf.au coverage plus selected other people’s in one place for your convenience.

Add this week’s media output to last week’s and you can see why I’ve been kind of exhausted. Thank the gods, we’re having a pseudo-long weekend.

Podcasts

  • Patch Monday episode 122, “War on the internet: it’s all about power”. The podcast covers the previous weekend’s War on the Internet forum Electronic Frontiers Australia and The Greens, and featured Suelette Dreyfus, co-author with Assange of Underground; Greens’ Senator Scott Ludlam; Crikey’s Canberra correspondent Bernard Keane; and headline speaker Jacob Appelbaum, internet security researcher, software hacker and activist.

Articles

Media Appearances

Corporate Largesse

  • D-Link gave me a DCS-930L Wireless N Network Camera, which they sometimes describe as a “cloud camera”, the arsehats. I’ll be writing about that separately.
  • On Wednesday Chris Wood, regional director for Australia and New Zealand at security vendor Sourcefire, bought me a coffee.

Elsewhere

Most of my day-to-day observations are on my high-volume Twitter stream, and random photos and other observations turn up on my Posterous stream. The photos also appear on Flickr, where I eventually add geolocation data and tags.

[Photo: Three sprigs at Threefold. Three sprigs of mint in three brown bottles grace the windowsill in the toilet at Melbourne's Threefold Foodstore and Eatery. I think that's just a wanked-up word for "cafe". I had the spatchcock, thank you very much.]

This is being posted a bit late. It’s a conversation about the US Stop Online Piracy Act (SOPA) and the Wikipedia blackout originally broadcast on 18 January. So it’s been overtaken by more recent events.
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The presenters, as usual, are Keith Conlon and John Kenneally at 1395 FIVEaa, two chaps I used to work with back at ABC 891 Adelaide some… um, some years ago.

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The audio is ©2012 dmgRadio Australia, but here it is ‘cos it hasn’t been posted on the radio station’s website. Besides, this is a reasonable plug.

A weekly summary of what I’ve been doing elsewhere on the internets. Given that this is being posted so late, suffice it to say that I went to Canberra again and I was too tired for much of anything by the end of the week.

Podcasts

Articles

Only two articles this week — well, that were published. There’s more to come, articles that were written but not published. Both of these, though, are from the Trend Micro Canberra Cloud Security Conference.

Media Appearances

Corporate Largesse

  • On Wednesday, breakfast was provided at the Trend Micro Canberra Cloud Security Conference. That was the historic Hyatt Hotel Canberra, though not their full and rather wonderful buffet.
  • Also on Wednesday, I had lunch at The Chairman and Yip, Canberra, courtesy of Datacom.

Elsewhere

Most of my day-to-day observations are on my high-volume Twitter stream, and random photos and other observations turn up on my Posterous stream. The photos also appear on Flickr, where I eventually add geolocation data and tags.

[Photo: As I walked from Bunjaree Cottages to Wentworth Falls today, most of Railway Parade was lined with yellow flowers. The bees seemed quite interested. I'm also very impressed with the detail on the bee, given this was shot on a sub-$300 camera.]

I am so many different kinds of expert these days. On Friday I was on SBS TV’s World News talking about the UK’s High Court decision to order the country’s largest internet service provider BT to block access to a website that provides links to pirated movies.

The video of the news story is embedded in the website article.

SBS has also posted the complete 7-minute video of the interview they recorded.

Yes, I’m wearing a hoodie on national television. At least it was a clean hoodie. I’d taken a cab to SBS straight from the airport. It’s actually a small miracle I had any clean clothes with me at all. Besides, the cameraman chose the hoodie over my black shirt because he wanted to “break things up a bit”. The TV news has too many men in suits and business shirts for his liking, it seems.

A weekly summary of what I’ve been doing elsewhere on the internets — which was another slow week again this week, since it’s the lead-up to Christmas.

Articles

Podcasts

  • Patch Monday episode 70, “2010: IT’s year of domination”. An extended panel discussion reviewing 2010 and making a few predictions for 2011. My guests are: Mick Liubinskas, co-founder of Australian start-up incubator Pollenizer and, back in the day, head of marketing and business development for infamous music sharing site Kazaa; columnist and author Paul Wallbank; and Jeff Waugh, open-source developer, strategist and advocate, and political tragic.

Media Appearances

Corporate Largesse

None. It all seemed to wrap up last week. It’s going to be a bleak holiday season. Please send packages of food and drink.

Elsewhere

Most of my day-to-day observations are on my high-volume Twitter stream, and random photos and other observations turn up on my Posterous stream. The photos also appear on Flickr, where I eventually add geolocation data and tags.

[Photo: My Christmas card from 2007, recycled because I didn't get around to doing anything new this year. I made the tinsel antlers for my good friend the Snarky Platypus, who continues to use them to this day. Photograph by Trinn (’Pong) Suwannapha.]

A weekly summary of what I’ve been doing elsewhere on the internets and in the media and so on and so forth.

Articles

Podcasts

  • Patch Monday episode 65, “Hello cloud, meet cookies. Goodbye privacy”. My interview with Kevin Shaw from iappANZ.
  • A Series of Tubes episode 119. Ruckus Wireless engineer Steve Chung talks 802.11n streaming and I talk about the OECD’s comments on the National Broadband Network, privacy and crowdsourcing.

Media Appearances

Corporate Largesse

They have lovely biscuits at the Department of Foreign Affairs and Trade.

Elsewhere

Most of my day-to-day observations are on my high-volume Twitter stream, and random photos and other observations turn up on my Posterous stream. The photos also appear on Flickr, where I eventually add geolocation data and tags.

[Photo: A close-up of my eyes, taken by Trinn ('Pong) Suwannapha, cropped out of the photo he took for my US visa application.]

Streaming video service Livestream emailed their customers today about their zero tolerance on piracy policy. It’s yet another instance of Big Media being able to implement guilt by accusation.

I’ve just asked Livestream a few question:

Some questions about your “zero tolerance on piracy” policy. This is a media enquiry so please consider your response “on record”.

My questions concern due process.

I notice that you give “trusted rights holders” a tool to automatically shut down channels at their own instigation. I also notice that your example trusted rights holders are “Fox, Disney, NBA, MLB, NFL, UEFA, International Olympic Committee, WWE, UFC, Warner Bros, English Premiere League and British Sky Broadcasting”, i.e. the big end of the commercial media industry.

Most importantly, I notice that anyone who believes that the shutdown was in error must appeal the case afterwards.

Surely this process is “guilt by allegation” and puts the burden of proof onto a channel holder who is likely to have fewer legal resources than a big media player? Yet in most copyright regimes a channel holder may have legitimate “fair dealing” rights to rebroadcast material, such as for academic purposes, news reporting, review, or even satire.

When developing your policy, what input did you seek from people outside Big Media?

What processes do you have in place to perform follow-up “spot checks” of channel shutdowns? Do you actively contact channel holders for their side of the story? Do you inform channel holders of their legitimate “fair dealing” rights?

How long on average does it take you to process an appeal against a shutdown? What has been the longest time it has taken, and what was that case?

What assurances must “trusted rights holders” give to earn that trust? What training or other direction are they given in the legitimate rights of channel holders? What penalties do you impose on “trusted rights holders” who misuse the automatic shutdown tool?

Since it was introduced, how many times has the automatic shutdown tool been used? How many times have channel holders appealed against the shutdown? How many times has the shutdown been determined to have been in error? How many times have penalties been imposed on “trusted rights holders”?

You say:

Livestream’s mission is to provide the premiere interactive live streaming platform for every event owner, broadcaster and premium rights holder in the music, movie, newspaper, radio and television industries.

But what about the rest of your customers, those who are not “premium” rights holders? What assurances can you give them that their legitimate rights will be upheld?

I’ll let you know when Livestream responds.

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