Internet

I’ve just organised by first guest(s) for tonight’s inaugural episode of Stilgherrian Live Alpha. And, as you can see, we’ve spent half the night playing with graphics too.

I’ll be speaking with Adam Purcell and/or Jared Madden from Emerge.tv about tune-out.com campaign — their counter-campaign to the music industry’s propaganda film, Australian Music In Tune, which I wrote about the other day.

How can the music industry respond to the dramatic changed happening around them? Is it actually too late for them to change? And it’s interesting to note that the film on their website right now isn’t quite the same as the one originally released…

Since it’s the first program, I’ll probably tell you a bit about myself and what’s been on my radar this week. If there’s anything you’ve wanted to ask me, now’s the time.

Stilgherrian Live Alpha is recorded live at stilgherrian.com/live at 9.30pm Sydney time (1130 UTC), and I’ll be talking “talkback” via audio and video.

If you turn up early, you’ll probably see us doing some last-minute technical tests. And once the program is recorded, I’ll turn it in a podcast — details later.

Decided! The first episode of Stilgherrian Live Alpha will be “recorded live” on the Internet this Thursday 8 May at 9.30pm Sydney time. Oh shit! That’s tomorrow!

I won’t repeat what I’ve already written about my plans [1, 2]. This post presents a Program Brief — so I can clarify my thinking as much as anything else — and gathers a few recent thoughts. I’m intending to make the entire process transparent in the immodest hope that someone might find it useful.

Aims

1. Continue my process of moving from doing hands-on technical work to media production, executive production and consulting.
2. Build upon the “Stilgherrian as a blogger” brand to establish the core personal media global microbrand of “Stilgherrian as a presenter”, around which I can gather other projects.
3. Establish a regular audience who can become the core of my 1000 True Fans.
4. Develop and document production workflows so that we can produce similar programs quickly and cheaply.
5. Experiment with and settle upon a suite of hardware, software and services which works for me in this context.

See, there is method to my madness!

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I’d planned to write something else today, but if I don’t mention this article now then I’ll appear way out of touch. Mark Pesce has just posted another magnificent essay: The Nuclear Option.

It’s a commentary on how Twitter and similar tools which help us create instantaneously-connected global social networks are changing the world. Entertainingly written too, as always — and not just because he mentions me.

I won’t quote. it. Just read it. Then make a cup of tea, read it again, and stare out of the window for a while.

You’ve got to hand it to “the music industry”. This week they released a propaganda film Australian Music In Tune which asks us to sympathise with musicians because they’re all poor struggling artists. Diddums.

The only reason musicians trying to “make it” are poor is that as soon as they do get that sought-after recording contract they still pay for everything from there on. Before they see a single cent from their music, they have to pay off the studio hire, recording engineer, video director, stylists, set designers, editor and dozens of other parasites — including music company executives with their nice lunches and their BMW leases.

An entire industry — “the music industry” and their retail outlets — sits between the musicians and their audience, sucking out something like 90% of the money in the process.

And they have the gall to rope musicians into their propaganda film under false pretences, telling people like Frenzal Rhomb’s Lindsay McDougall that it was a movie about life as an artist.

He said he was told the 10-minute film, which is being distributed for free to all high schools in Australia, was about trying to survive as an Australian musician and no one mentioned the video would be used as part of an anti-piracy campaign.

OK, so who are the guys in the photo? Jared Madden (left) and Adam Purcell (right) have created tune-out.com in response to the industry crying poor.

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I’ve finally found a use for that iPod Photo 60GB that’s been languishing in my desk drawer. I’m going to use it as a field recorder for my podcasts.

The resale value of an iPod that’s bigger than a postage stamp but doesn’t play video is, presumably, three-fifths of bugger all. However it can record sound.

Apple deliberately crippled the iPod’s recording functions to mere 8-bit quality — OK for recording dictation and the like, but not good enough for snarfing surreptitious bootlegs of a Silverchair concert. But running Linux on the iPod unleashes its full 16-bit glory.

After a couple hours’ work I now understand the process of Linuxing a ’Pod. But to get it to work, my MacPod (that is, an iPod formatted for Mac file systems) has to be turned into a WinPod (one using Microsoft’s file systems). I won’t bother explaining why, but it’s yet another example of that old phenomenon…

In general, Macs can read Windows file systems, but Windows machines can’t read Mac file systems. Sigh. I’ll finish it on the weekend.

“Television, the drug of the nation / Breeding ignorance and feeding radiation,” rapped American poet and musician Michael Franti of the Disposable Heroes of Hipocrisy Hiphoprisy”, now of Spearhead. Could this literally be true?

I’ve just read the most amazing speech, Gin, Television, and Social Surplus by Clay Sharky, which you can also watch on Blip.tv. It begins:

A British historian [argued] that the critical technology, for the early phase of the industrial revolution, was gin.

The transformation from rural to urban life was so sudden, and so wrenching, that the only thing society could do to manage was to drink itself into a stupor for a generation. The stories from that era are amazing — there were gin pushcarts working their way through the streets of London.

And it wasn’t until society woke up from that collective bender that we actually started to get the institutional structures that we associate with the industrial revolution today. Things like public libraries and museums, increasingly broad education for children, elected leaders — a lot of things we like — didn’t happen until having all of those people together stopped seeming like a crisis and started seeming like an asset.

Sharky goes on to argue that when WWII ended, we suddenly had to cope with another social surplus: all that leisure time thanks to a 5-day working week and all those new-fangled gadgets which made household chores a breeze. So what did we do? We slothed in front of the TV. For a generation.

As we turn off our TVs and connect to each other, this cognitive surplus is creating things like Wikipedia. An estimated 100 million hours of work has gone into it. Yet this is but a drop in the ocean…

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TechCrunch has some figures on Twitter usage. It seems my own Twitterings at 16+ a day makes me a “heavy” user.

March 2008
Total Users: 1+ million
Total Active Users: 200,000 per week
Total Twitter Messages: 3 million/day

What’s most interesting is the rabid Twitter usage by active users — they send an average of 15 Twitter message per day.

My Twitter stats show that my usage is spread across my waking hours right across the week. Yes, Twitter has become a core communication tool — though I’ve said that before [1, 2]. Maybe you should follow me.

[Credit: Cartoon Twitter-bird courtesy of Hugh MacLeod. Like all of Hugh's cartoons published online, it's free to use.]

My podcast thoughts are rapidly congealing into a nice creamy chocolate custard pudding filled with cocaine: edgy and invigorating, but still appealing to traditionalists. And deeply, deeply satisfying.

Conversations on Twitter this morning helped provide focus for the evolving plan… and raised some questions. I’m determined to make this program “live”, or at least “recorded live”. But how will it actually work?

I have the technology and experience to produce full “broadcast quality” audio material — see the pretty Sennheiser microphone? However I really want to explore the program format(s) and production techniques needed to produce micro-radio and micro-TV using whatever can be carried in my backpack. While audio quality may not be perfect yet, it’ll eventually catch up. For the time being the novelty value means the audience will endure it. Especially if I can keep the content fresh.

As I said perhaps a little too cruelly this morning, podcasts sound either like ABC Radio National (people talking to themselves), or the worst of community radio (ditto). Being able to interact with people while the program is happening is important. I admit my opinion is coloured by having produced (endured?) 4000+ hours of live talk and talkback radio.

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Hannover Fairs, the organisers of the CeBIT Australia IT trade show, must be shitting themselves about poor ticket sales or something. They certainly seem desperate.

These guys are spammy at the best of times, sending at least one email a week every week. But this year I’ve received three “Exclusive Limited Offer: Free Exhibition Entry” emails this month alone, plus today another one via the Australian Computer Society — yeah, that’s fuckin’ exclusive, eh? They’ve emailed a “Dear Bloggers” media release and phoned. Gawd!

I was underwhelmed last year and annoyed with the marketing wank-words.

Do these shows actually achieve anything any more? I mean, if you’ve got a new IT product you just tell TechCrunch and the geek world’s blogosphere of feral goldfish do the rest, right? Why herd everyone into a room, except to fuel an industry of hangers-on who make t-shirts and lame promotional giveaways?

[P.S. I am actually going. If nothing else I can collect some high-grade sarcasm for my podcast. But enough with the spam already, Hannover!]

I like it when software-writers pay attention to the little things.

1. When changing credit card details in my Basecamp account, the system noticed that I also had a Highrise account and offered to update that at the same time. Thank you, 37signals.
2. When I installed the new version of OmniFocus, it pre-selected the option to delete the installer files once it was completed. Thank you.
3. When Miro TV updated itself to a new version, it re-started and continued playing the last video I watched from where we left off.

If I listed “Moments of Software Unjoy”, it’d go for pages…

You’d think that with more than a decade’s experience in radio I’d have started podcasting ages ago.

Three years ago I bought an iPod so I could listen to podcasts. It’s languished in a drawer ever since because, to tell the truth, I don’t like blocking out the world and living within a music bubble. Life does not need a soundtrack, but it does need more people paying attention to the reality around them.

I’d also resisted podcasting because as a (former) broadcast professional there was creeping perfectionism. I wanted any podcast o’mine to be really good, lest I be judged by my former peers. But no more.

This Internet thing looks like it’s actually going to catch on. The time has come to start using my production and presentation skills. So, a podcast… How and what, exactly?

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