Media

I’ve just organised by first guest(s) for tonight’s inaugural episode of Stilgherrian Live Alpha. And, as you can see, we’ve spent half the night playing with graphics too.

I’ll be speaking with Adam Purcell and/or Jared Madden from Emerge.tv about tune-out.com campaign — their counter-campaign to the music industry’s propaganda film, Australian Music In Tune, which I wrote about the other day.

How can the music industry respond to the dramatic changed happening around them? Is it actually too late for them to change? And it’s interesting to note that the film on their website right now isn’t quite the same as the one originally released…

Since it’s the first program, I’ll probably tell you a bit about myself and what’s been on my radar this week. If there’s anything you’ve wanted to ask me, now’s the time.

Stilgherrian Live Alpha is recorded live at stilgherrian.com/live at 9.30pm Sydney time (1130 UTC), and I’ll be talking “talkback” via audio and video.

If you turn up early, you’ll probably see us doing some last-minute technical tests. And once the program is recorded, I’ll turn it in a podcast — details later.

Decided! The first episode of Stilgherrian Live Alpha will be “recorded live” on the Internet this Thursday 8 May at 9.30pm Sydney time. Oh shit! That’s tomorrow!

I won’t repeat what I’ve already written about my plans [1, 2]. This post presents a Program Brief — so I can clarify my thinking as much as anything else — and gathers a few recent thoughts. I’m intending to make the entire process transparent in the immodest hope that someone might find it useful.

Aims

1. Continue my process of moving from doing hands-on technical work to media production, executive production and consulting.
2. Build upon the “Stilgherrian as a blogger” brand to establish the core personal media global microbrand of “Stilgherrian as a presenter”, around which I can gather other projects.
3. Establish a regular audience who can become the core of my 1000 True Fans.
4. Develop and document production workflows so that we can produce similar programs quickly and cheaply.
5. Experiment with and settle upon a suite of hardware, software and services which works for me in this context.

See, there is method to my madness!

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“Television, the drug of the nation / Breeding ignorance and feeding radiation,” rapped American poet and musician Michael Franti of the Disposable Heroes of Hipocrisy Hiphoprisy”, now of Spearhead. Could this literally be true?

I’ve just read the most amazing speech, Gin, Television, and Social Surplus by Clay Sharky, which you can also watch on Blip.tv. It begins:

A British historian [argued] that the critical technology, for the early phase of the industrial revolution, was gin.

The transformation from rural to urban life was so sudden, and so wrenching, that the only thing society could do to manage was to drink itself into a stupor for a generation. The stories from that era are amazing — there were gin pushcarts working their way through the streets of London.

And it wasn’t until society woke up from that collective bender that we actually started to get the institutional structures that we associate with the industrial revolution today. Things like public libraries and museums, increasingly broad education for children, elected leaders — a lot of things we like — didn’t happen until having all of those people together stopped seeming like a crisis and started seeming like an asset.

Sharky goes on to argue that when WWII ended, we suddenly had to cope with another social surplus: all that leisure time thanks to a 5-day working week and all those new-fangled gadgets which made household chores a breeze. So what did we do? We slothed in front of the TV. For a generation.

As we turn off our TVs and connect to each other, this cognitive surplus is creating things like Wikipedia. An estimated 100 million hours of work has gone into it. Yet this is but a drop in the ocean…

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My podcast thoughts are rapidly congealing into a nice creamy chocolate custard pudding filled with cocaine: edgy and invigorating, but still appealing to traditionalists. And deeply, deeply satisfying.

Conversations on Twitter this morning helped provide focus for the evolving plan… and raised some questions. I’m determined to make this program “live”, or at least “recorded live”. But how will it actually work?

I have the technology and experience to produce full “broadcast quality” audio material — see the pretty Sennheiser microphone? However I really want to explore the program format(s) and production techniques needed to produce micro-radio and micro-TV using whatever can be carried in my backpack. While audio quality may not be perfect yet, it’ll eventually catch up. For the time being the novelty value means the audience will endure it. Especially if I can keep the content fresh.

As I said perhaps a little too cruelly this morning, podcasts sound either like ABC Radio National (people talking to themselves), or the worst of community radio (ditto). Being able to interact with people while the program is happening is important. I admit my opinion is coloured by having produced (endured?) 4000+ hours of live talk and talkback radio.

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Here’s why the Director of Public Prosecutions (for American readers, read: District Attorney’s office) dropped the charges against The Chaser crew for their APEC security-breach stunt.

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You’d think that with more than a decade’s experience in radio I’d have started podcasting ages ago.

Three years ago I bought an iPod so I could listen to podcasts. It’s languished in a drawer ever since because, to tell the truth, I don’t like blocking out the world and living within a music bubble. Life does not need a soundtrack, but it does need more people paying attention to the reality around them.

I’d also resisted podcasting because as a (former) broadcast professional there was creeping perfectionism. I wanted any podcast o’mine to be really good, lest I be judged by my former peers. But no more.

This Internet thing looks like it’s actually going to catch on. The time has come to start using my production and presentation skills. So, a podcast… How and what, exactly?

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Even though George W Bush’s presidency has more than 6 moths to run, Fox News has already started writing the hagiography. The Daily Show’s John Oliver has responded.

If the video doesn’t work for you, go directly to part 1 and part 2. Hat-tip to Peter Black.

Following my semi-snarky review of ABC Playback in Crikey last week, journalist Melinda Houston thought I might have something valuable to say for her piece in Melbourne’s Sunday Age yesterday. Apparently I did, ‘cos my quote led the piece, and there was a slab of me later.

The article opened thusly:

“I SUSPECT many people who have had extremely successful careers in television are baffled by what’s happening now,” says former broadcaster and now new media consultant Stilgherrian (yes, just the single name — very 21st century). “They need to spend an afternoon with a bunch of 15-year-olds.”

The self-confessed uber-geek is one of a coterie of middle-aged men who have lost patience with traditional broadcasting. But if he was 15, or even 25, he’d be the norm. Rumours of the death of television may be exaggerated, but there’s no doubt it’s taken a hit.

It’s worth reading the entire article, because it’s a good summary of how the Internet is affecting TV, aimed at a mainstream audience. However I’ll quote my own bits here, just in case Fairfax decide to take it offline one day.

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Podcasting is now far, far easier and cheaper even than I’d imagined — even for complex productions. I’ve been experimenting. Here’s a very quick summary of what I’ve learned so far about doing this on a Mac, my platform of choice.

Now if your podcast is just you talking then you can take a much simpler approach. Read no further.

However this investigation was inspired by the “live recording” of the 2web Crew. Having an audience contributing comments and questions via text chat created an interesting dynamic — similar to talkback radio but less formal. I wanted to explore further.

The technical challenge is combining all of the audio elements before the audio or video stream is piped up to Ustream or wherever. There’s probably quite a few ways to do this, but my starting-point was The UStream Tool Kit — which also covers Windows.

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One book on my to-buy list is the recently-released The Porn Report by Alan McKee, Katherine Albury and Catharine Lumby. Until I get around to that, Danny Yee’s review has some juicy tidbits (ooherr).

[T]he common stereotypes are wrong: unsurprisingly, given that pornography users make up about a third of Australian adults, they are fairly representative of the broader population, with the major exception being that fewer than one in five of the respondents were women…

Detailed analysis of the most popular Australian DVD titles shows that, even with broad definitions, fewer than 2% of scenes have any kind of violence. The total ban on violence in the Australian X-rated category seems to have worked. Another finding was that “pornography does not really objectify women more than men… On some measures, men are the more active sexual subjects… on others, it’s the women.” The Internet is a lot more diverse, but despite extensive efforts the authors managed to find not a single site with actual rape photographs, and only a handful of sites with faked ones.

There is no evidence that pornography causes harm to its users: the studies that suggest this have involved pushing pornography on non-users in artificial laboratory experiments. In contrast, there has been almost no attempts to study the beneficial effects of pornography, even though consumers overwhelmingly report positive effects…

Part 2 of the book covers issues such as censorship, and notes:

“Protecting the children” has been a rallying call for censorship for a long time. It turns out that actual child pornography — the police prefer to call it “child abuse material” — is extremely hard to find. And evidence-based education has to be central to protecting children from harm, whether from cyberstalking or contact with material they will find disturbing.

Essential reading, I’d have thought, for anyone wanting to discuss censorship of the Internet, eh Senator Conroy?