Category: Essay

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Bloggers: the biggest whingers since journalists

Crikey logo

I’m well pleased that my rant for Crikey about journalists elicited a witty response from Jonathan Este, the journos’ “union thug”. He’s kindly allowed me to republish it in full below. My comments afterwards.

He’d also like me to draw your attention to the MEAA’s own project, The Future of Journalism, done in conjunction with The Walkley Foundation.

Bloggers: the biggest whingers since journalists

Jonathan Este writes:

Your blogging correspondent, Stilgherrian, seemed like such a nice bloke at the Future of Media Summit in Sydney on Tuesday. On the way from the venue to the pub afterwards we shared a few yarns and war stories and I bought him a beer.

He could have been a real journalist.

But his piece in yesterday’s Crikey [local copy] betrayed his outsider status in his very first par:

What is the future of journalism? To judge by the discussion at this week’s Future of Media Summit… it’s endless bl–dy whingeing.

Whingeing, old son, is the past, the present and the future of journalism, as you’d know if you’d spent much time in the newsroom. It’s what we do. Journalists love whingeing and we’re pretty damn good at it.

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Note to “old media” journalists: adapt, or stfu!

Crikey logo

[I promised Crikey that I’d write something about the Future of Media Summit 2008. This rant is what emerged. You can also read it over at Crikey, where there’s a different stream of comments.]

What is the future of journalism? To judge by the discussion at this week’s Future of Media Summit held simultaneously in Sydney and Silicon Valley (and every other “new media” conference I’ve been to lately) it’s endless bloody whingeing. Whingeing about how journalism has standards and bloggers are all “just” writing whatever they think.

The panels in both cities covered the same, tired old ground. The new “participatory media” and “citizen journalism” would never be Real Journalism, because Real Journalism is an Art/Craft/Profession. Real Journalism involves research and fact-checking and sub-editing. There’s a Code of Ethics. But “these people”, as bloggers get labelled, these people just sit around in their pyjamas and write whatever comes into their heads.

Bollocks.

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Aussie telcos bend over for the iPhone

Photo of iPhoneAustralia’s mobile phone carriers may not completely grok Apple’s new iPhone 3G, but they know it’ll bring them customers — because they’re all scrambling to be Steve Jobs’ iPhone bitches. It’s an embarrassing spectacle.

Three carriers have announced packages available from tomorrow: Telstra, Optus and Vodafone. (Presumably 3, who’ve been asking their customers to beg for iPhones, haven’t bent over far enough.) There’s a comparison over at news.com.au.

According to my sources, all three Aussie telcos have bent over even further than US carrier AT&T. Apple already demands a bigger subsidy from carriers than other smartphone manufacturers. In the US, for example, AT&T pays Apple US$325 per unit compared with the usual $200 or so. However two individuals working within Telstra confirm that all three telcos offering iPhone here are also paying Apple an ongoing percentage of revenue. AT&T has escaped that revenue-sharing deal, but not the Aussies — and that’s presumably reflected in the somewhat disappointing plans on offer.

All three Australian carriers have missed the key point. Yes, iPhone can make phone calls. But its true role is a pocket-sized internet-connected computer.

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I rarely remember my dreams…

Photo of chinese Lucky Cat with waving arm

… but last night I did. I had to present a TV news program and it was going very, very badly. Interpretations, please!

It was my first day as presenter of an established program called News Tower. The presenters’ desk was stupid. Me and my overly-blonde female co-host had to peer out between mock embattlements as if our News Tower was a medieval castle.

When I got my copy of the script just minutes before show time it was hand-written on scraps of paper, and I could barely read the appalling writing. The pages were all out of order, and the text was over-written with corrections and arrows showing how the sequence had been changed. When I asked whether the Autocue copy was typed OK, I got a blank look as if “Autocue” and “typing” were unknown words. And indeed, the camera lens watching me was naked: no cueing system could be seen.

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Winter Solstice Meditation

The exact moment of Winter Solstice was 9.59am Sydney time. The week was far too hectic to organise a proper ritual of Sunreturn before dusk last night. Instead, in an impromptu meditation, this crisp Saturday morning sees my tiny pearl of tealight flame battling an irregular, gentle breeze.

I protect it with my cupped hands, and smile. I can always re-light it if it blows out. No-one will notice the ceremonial faux pas but me.

Breathe. Listen…

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Vale Tristram Cary, 1925-2008

Photograph of Tristram Cary

The godfather of British electronic music, composer Tristram Ogilvie Cary OAM, died on 24 April 2008. He was aged 82.

Cary’s story is told in his Wikipedia profile and the Times Online obituary. If anyone outside the “serious music” world knows him, it’s usually for writing the soundtracks for early Doctor Who episodes and films (which he hated talking about), or the Hammer Horror movies Quatermass and the Pit (1967) and Blood from the Mummy’s Tomb (1971).

However Cary was also a pioneer of music synthesisers. Trained as a radar technician in WWII, he co-founded Electronic Music Studios (EMS), which created the first portable synthesiser, the VCS 3.

I worked briefly with Cary one summer as a programmer. He was director of the electronic music studio at the Elder Conservatorium of Music in Adelaide. I wrote a digital filter in PL/1 (!) for what I think was the Synclavier synthesiser — though it may have been something else, because as a hardware hacker Cary was well wicked. In his studio, it was difficult to see where one machine ended and the next began, they were so cross-linked.

I remember he was particularly fascinated with the sounds of bells, which then were starting to become achievable through digital synthesis. It was the first time I’ve ever found my applied mathematics knowledge of Fourier Transforms to be even remotely useful.

If you enjoy any kind of electronic music, you should take an hour of your day to learn more about Tristram Cary. He made your world.

[Footnote: I found out about Tristram Cary’s death from a most unusual source: the end credits to Shaun Micaleff’s program Newstopia. The more I discover about you, Shaun, the more I think my initial assessment of you as an arsehole was a mistake.]