Talking Instagram on ABC Radio’s “PM”

ABC logoWith ABC Radio National Breakfast out of the way, I settled down to write my Crikey story about the Instagram saga.

By that stage my understanding of the story had evolved.

I was becoming increasingly cranky with so many people, including many who should know better, pushing the “Instagram wants to sell your photos” line. Failing to distinguish between selling a license to use a photo in various ways and selling the ownership of the photo itself was a massive failure. The difference is as clear at that between selling a house and renting it out to a tenant.

There was also a clarification from Instagram, making it clear that they weren’t seeking such ownership, admitting that they really hadn’t figured out precisely what it was they wanted to do with users’ photos, and agreeing that the language was open to misinterpretation.

I incorporated this into my Crikey piece, which was given the headline: Users snap over Instagram, but should have seen it coming.

In hindsight, and had I know this was to be the headline, I wouldn’t have been so blunt in my final paragraph.

The core lesson here is that services like Instagram aren’t free. You pay for them by licensing the operator to use your content and other data in various ways. If you don’t like that, well, pay for your goddam internet hosting yourself.

All I meant by this was that internet hosting is pretty cheap these days, and there’s plenty of low-cost providers to choose from. It’s not as if Instagram is a public service that owes you anything.

In any event, I filed the Crikey story before midday as usual. It seemed to me that Instagram was responding appropriately, and I’d always thought they were at the responsible end of social networking. My thoughts were now moving to the future. Would Instagram be able to prove they were worth their billion-dollar price tag? How would they behave if they didn’t start generating revenue?

But on the way to a lunch in the Sydney CBD, I ended up discussing the issue with a journalist for ABC TV’s 7.30 and a producer with ABC 666 Canberra. It was becoming clear to me that for most people in the media this was a brand new issue. Further media spots were being organised.

The next to be recorded, though not the next to go to air, was with ABC Radio’s national current affairs program PM. What pleases me about this piece, I think, is that the “tape ID” — the bit at the front of a recording where you identify who you are so there’s no confusion later — was included as part of the story. Because I used the word “arsehattery”.

This audio is ©2012 Australian Broadcasting Corporation, and is an unedited copy of the original audio posted on their website. There’s a transcript over there too, where they spell arsehattery “ass-hattery”. The journalist was Will Ockenden.

Talking Instagram on ABC Radio National Breakfast

ABC logoWednesday was a strange day for me this week, unexpectedly dominated as it was by the public outcry over photo sharing service Instagram changing its terms of use to make it explicit that people’s photographs could be used for promotional purposes.

This is the first of a series of posts that document the media that I was involved with that day — eventually three radio spots and a story for Crikey, plus discussions with a journalist at ABC TV’s 7.30 for a story that ended up not happening — as well as the evolution of my own thoughts on the topic.

I’d gotten up early that morning to work on a Crikey story about the risks of big data, so I was already in media mode when I saw the tweets starting to flood out.

Instagram was claiming the right to sell your photos, they claimed — which I found most unlikely because they can’t sell what they don’t own, and social networks have long since given up trying to claim ownership over their users’ content. At least the ones that intend lasting more than a week online.

Sure enough, I looked at Instagram’s proposed new terms of use, and they actually made it quite explicit that they were not doing that. As I expected, they were seeking the right to use photographs in connection with promotions of unspecified nature — though they’d stated the fact that you wouldn’t be paid for this rather baldly.

To help us deliver interesting paid or sponsored content or promotions, you agree that a business or other entity may pay us to display your username, likeness, photos (along with any associated metadata), and/or actions you take, in connection with paid or sponsored content or promotions, without any compensation to you.

Moreover, it looked to me like Instagram’s existing terms of use already gave them this right, though the wording was vague.

… you hereby agree that Instagram may place such advertising and promotions on the Instagram Services or on, about, or in conjunction with your Content. The manner, mode and extent of such advertising and promotions are subject to change without specific notice to you.

In retrospect, I think both are worded rather vaguely, with a phrase like “in connection with” being able to cover a multitude of sins. But “without any compensation to you” is clear enough, and that obviously triggered the fears.

But Instagram’s actions weren’t unusual, they weren’t claiming ownership of your photos, and there was no need to panic — and that’s what I tried to stress in this first media spot, a chat with John Doyle on ABC Radio National Breakfast at around 0840 AEDT.

This audio is ©2012 Australian Broadcasting Corporation, and is an unedited copy of the original audio posted on their website.

Weekly Wrap 132: Schoolgirls and technological failures

Occluded House: click to embiggenI’d expected things to start winding down before Christmas, which is the traditional thing, but the week of Monday 10 to Sunday 16 December 2012 was actually pretty busy.

I visited North Sydney Girls High School twice. On Monday, to help assess the projects the Year 10 students had done on the smartphone. And on Friday, to record some material for the Patch Monday podcast and to provide some feedback to the students who are making a documentary on the whole thing.

More about all that coming soon — particularly the podcast to be posted on 24 December. [Update 29 December: Here’s that podcast.]

In between, the writing and… oh fuck it, just look at the list.

Podcasts

  • Patch Monday episode 167, “2012 in review: IT vendors prepare for cloudy big-data future”. The first of our year-end conversations is with broadcaster, columnist, and author Paul Wallbank; Kate Carruthers; strategy consultant and founder of Social Innovation; and Jeff Waugh, open-source developer, strategist, and advocate.

Articles

Media Appearances

Corporate Largesse

The Week Ahead

So, I mentioned that things are refusing to quieten down before Christmas? Yeah well this is what the week is going to look like unless I force the chloroform-soaked handkerchief into its face…

Monday includes finishing this week’s episode of Patch Monday and recording material for the next.

The remainder of the week is as yet unplanned, because certain things need to be confirmed. But it includes writing two articles for CSO Online and two or three for Crikey, plus more of the client website work that’s been taking up much more time than expected recently. Stay tuned.

[Photo: Occluded House, a view of the Sydney Opera House from the Sydney Harbour Bridge, made all the more special thanks to the advertising laid over the bus window.]

Talking data mining on ABC Gippsland

Every now and then I end up doing an explainer that starts at the very beginning — like this radio spot about data mining for ABC Gippsland this morning.

Breakfast presenter Gerard Callinan has posted the audio under the title Mapping key strokes. Who’s watching?

For many of us, the idea of going a day without using the internet either at work or at home is almost unimaginable. Have you ever thought what happens to the information that you leave behind when visiting your favourite websites? Every page you visit, every survey you take, every ad you click on builds up a profile which is used by marketing companies and increasingly, political parties to build up a picture about what sort of things you are interested in and how you might be swayed to buy items or even vote in an election.

Here’s a slightly different version of the audio here, with the volume re-normalised — which just means it’s now supposedly at the optimal volume.

I think Mr Callinan got slightly paranoid after he’d read a certain op-ed I wrote earlier this year.

I’m not so sure how well I explained things. This was a live-to-air piece at 0720 AEDT after I’d had just three and a half hours of sleep and a few hours dealing with, um, a very aggressive intestinal problem. So I wasn’t as focused as I’d like to have been.

If I had my time again, I’d have made sure to explain how the advertising embedded in web pages, or the Facebook “Like” buttons, allow those organisations to track you across multiple sites. And I’d have made sure to have a link I could give out for some concise “How to protect your privacy online” guides.

The audio is of course ©2012 Australian Broadcasting Corporation, but as usual I’m posting it here as an archive.

Inside my Dangerous Mind

My appearance at the Sydney Opera House Festival of Dangerous Ideas, which I’ve told you about before why aren’t you paying attention? — draws ever closer. It’s a week from today, and as part of the promotional lead-up they’ve posted a look Inside my Dangerous Mind.

It’s in question-and-answer format.

Q: What is a dangerous idea?

A: One where merely expressing it puts the speaker in mortal danger, or in danger of expulsion from society. Examples? Mate, your daughter would look fantastic being sodomised by a goat. Behead all those who insult the Prophet. Pouring the tea before the milk.

Well, I reckon you should read the whole thing.

See you next week? It’s Saturday 29 September at 1pm in The Playhouse at the Sydney Opera House. You can book online.