The third radio spot I did about Attorney-General George Brandis’ comments on digital copyright was with ABC 105.7 Darwin on Wednesday 19 February. Here it is.
(“Third” you ask? There’s only been one other posted so far. That’s true. The second spot was with Dom Knight on ABC 702 Sydney on Tuesday 18 February. But I don’t have a recording for you. Sorry.)
This is roughly the same discussion I had on Spoke on Tuesday, but with presenter Kate O’Toole and
after I’d drank a bottle of Sangiovese Barbera after I got angrier about the issues. So the concept of graduated response is a thing again, I allude to the iiTrial and so on. And yes I mentioned Rebecca Giblin’s research.
Podcast: Play in new window | Download (Duration: 11:50 — 5.0MB)
The audio is of course ©2014 Australian Broadcasting Corporation.
My recent critique of Attorney-General George Brandis’ comments about copyright reform in the digital age attracted plenty of positive comments — and also some media attention.
That critique was my ZDNet Australia column on the day of Brandis’ speech, Friday 14 February, What the Dickens will Brandis do to copyright in the digital realm?
The first piece of media interest was from Michelle Bennett, presenter of Spoke, the weekly social issues program on Melbourne community radio station 3RRR. The interview was recorded on Sunday 16 February and broadcast in the Spoke episode of Tuesday 18 February.
The conversation wasn’t just about Brandis’ comments, but also some of the background — including the so-called iiTrial between the Australian Federation Against Copyright Theft (AFACT) and internet service provider iiNet, the graduated response or “three strikes” rules for tackling copyright infringement, the Trans-Pacific Partnership (TPP) treaty, and the idea that internet access can be considered a basic human right.
I also mentioned Dr Rebecca Giblin’s research paper, Evaluating Graduated Response, which looked at those three strikes rules. The conclusion was that “there is little to no evidence that that graduated responses are either ‘successful’ or ‘effective’.”
Podcast: Play in new window | Download (Duration: 19:24 — 11.0MB)
The interview is ©2014 Triple R Broadcasters Ltd. Over at their website you can listen to the full program.
My week from Monday 23 to Sunday 29 April 2012 covered the entire continent from Sydney to Perth and (at least later today) back again.
That’s Perth in the photo, with the Swan River just visible between the apartment buildings of East Perth. The photo was taken with my bashed-up HTC Desire phone and processed through Instagram.
Heck, if Zuckerberg reckons it’s worth a billion dollars I might as well have a look, right?
I’ll comment on Instagram itself later, and figure out a better way to integrate the photos into this website. Meanwhile, here’s a gallery of my Instagram photos, updated automatically.
And now on with the show…
- Patch Monday episode 135, “iiNet wards off AFACT, but what next?” A summary of the High Court’s decision in Roadshow Films and others versus iiNet Limited, the initial reactions, and a wide-ranging discussion with Dr Rebecca Giblin, a copyright academic and geek from Monash University’s law school, who literally wrote the book on this subject: Code Wars: 10 Years of P2P Software Litigation. Keywords for the other things we mention are SOPA/PIPA, peer-to-peer production,
- I wasn’t paid to present at DigitalMe, they did cover travel from Sydney to Perth and one night’s accommodation at Aarons Hotel including breakfast. Wine by Brad provided booze for the welcome drinks, as well as a bottle to take home. Food was supplied by Sorrento Restaurant, Northbridge.
The Week Ahead
A busy week of writing lies ahead, including a story for CSO Online and my presentation for the Saasu Cloud Conference the following week. I’ll also continue work on the feature story I’m writing for ZDNet Australia
I believe I’ll be back in Wentworth Falls for most of the week, but this could change at short notice. The Dopplr widget on the left-hand side of every page of my website is usually updated within an hour of plans changing, so always check there first — but bear in mind it has odd ideas of what day it is.
Most of my day-to-day observations are on my high-volume Twitter stream, and random photos and other observations turn up on my Posterous stream (or they used to before my phone camera got a bit too scratched up). The photos also appear on Flickr, where I eventually add geolocation data and tags.