Church music became popularist [sic] in the 1960s [after Vatican II] because it had been exclusivist for centuries.
The “Masses” so often “oo’ed and ah’ed” over by concert-goers and listeners to the ABC FM stations were performance pieces for the ruling classes (including the senior clergy). The language was exclusivist, Latin, to remind lesser beings and nationalities that all roads lead to Rome.
Guess what? There’s a revisionist plot on, right now, to restore Latin on demand. A Brisbane priest was quoted last week as praising the move back because he felt much more comfortable and spiritually refreshed if he had his back to the congregation and was the only one knowing what was being said! (Read article here on Latin Mass)
The musical style of a Cathedral or posh church, supportable by heaps of money, comforts upwardly socially mobile church-goers.
Suburban and rural area churches make do with less. Which worship style creates/supports genuine parish centres, souls of their neighbourhoods, beacons of hope?
As I’ve said before, Father Bob is a Catholic priest who actually gives Christians a good name.