The Perils of Smoking

Photograph of Pong, cigarette in mouth and looking seedy, with his sister and her girlfriend

The Snarky Platypus has already messaged me tonight: “You are full of too many thoughts. You need a course of what Stephen Conroy is taking.” So I’ll change the pace with a photo.

Here’s a picture of ’Pong I took in 2002, back when he was still smoking that evil tobacco stuff. His sister Toi and her friend seem… concerned. Perhaps we need to come up with a caption for this image.

New year, new website header

Thumbnail version of new website header image

Just in case you’re wondering how I made the new header image on the website, I’ve used the same technique as the previous one. I’ve taken a slice from a semi-random photograph and stretched it.

Photograph of a crowded market street in Chinatown, Bangkok

The source image is a random (and not very good) photo I took in Bangkok’s Chinatown. In Photoshop, I took a one-pixel deep slice through the middle of the image somewhere, then stretched that out to create the vertical stripes. I then tweaked the contrast and saturation — but not the underlying colour hue — until I had a “pleasing” result.

The previous image was a slice through the girders of Sydney Harbour Bridge, with the grey evening sky in the background — the whole scene blurred by smoke.

I must admit, I’m quite attracted to impressionistic views of the world. That’s why I like Trevor Paglen‘s work.

Distinctly personal reflections on 2007

Photograph of sunset over Enmore, 31 December 2007

As the sun sets on 2007 — literally, as I took the photo just before I sat down to write — it’s time to reflect on an astounding year. The Snarky Platypus will join ’Pong and me later, and (perhaps) help us put together some predictions for 2008.

This was a watershed year for me, for my household and business, and for Australia. Many of the changes happened late in the year, so we haven’t noticed the effects yet. But as 2008 unfolds I think we’ll look back and see that, yes, 2007 marked a change of direction.

Personally, my understanding of how I fit into my world (and yours) became much clearer.

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Unreliable Bangkok 9: Train

Photograph of girls playing on the railway in Bangkok, with the slum in the background

’Pong’s movie Bangkok Express slices through the city at the height of the motorway. Yes, you can see urban decay, but it’s abstract, in the distance. The train slices the city differently: just above human eye level.

The photos I took from the train in Bangkok reminded me that a sign at Ashfield Station in Sydney has got it all wrong. That sign tells us that railway stations are for catching trains — and if I’m not catching a train right at that moment then I’m not welcome. I might be a terrorist. Move on, nothing to see here.

Bullshit.

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