So how will this podcast actually work?

Photograph of Sennheiser 825S microphone

My podcast thoughts are rapidly congealing into a nice creamy chocolate custard pudding filled with cocaine: edgy and invigorating, but still appealing to traditionalists. And deeply, deeply satisfying.

Conversations on Twitter this morning helped provide focus for the evolving plan… and raised some questions. I’m determined to make this program “live”, or at least “recorded live”. But how will it actually work?

I have the technology and experience to produce full “broadcast quality” audio material — see the pretty Sennheiser microphone? However I really want to explore the program format(s) and production techniques needed to produce micro-radio and micro-TV using whatever can be carried in my backpack. While audio quality may not be perfect yet, it’ll eventually catch up. For the time being the novelty value means the audience will endure it. Especially if I can keep the content fresh.

As I said perhaps a little too cruelly this morning, podcasts sound either like ABC Radio National (people talking to themselves), or the worst of community radio (ditto). Being able to interact with people while the program is happening is important. I admit my opinion is coloured by having produced (endured?) 4000+ hours of live talk and talkback radio.

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Ranting in the Sunday Age

Following my semi-snarky review of ABC Playback in Crikey last week, journalist Melinda Houston thought I might have something valuable to say for her piece in Melbourne’s Sunday Age yesterday. Apparently I did, ‘cos my quote led the piece, and there was a slab of me later.

The article opened thusly:

“I SUSPECT many people who have had extremely successful careers in television are baffled by what’s happening now,” says former broadcaster and now new media consultant Stilgherrian (yes, just the single name — very 21st century). “They need to spend an afternoon with a bunch of 15-year-olds.”

The self-confessed uber-geek is one of a coterie of middle-aged men who have lost patience with traditional broadcasting. But if he was 15, or even 25, he’d be the norm. Rumours of the death of television may be exaggerated, but there’s no doubt it’s taken a hit.

It’s worth reading the entire article, because it’s a good summary of how the Internet is affecting TV, aimed at a mainstream audience. However I’ll quote my own bits here, just in case Fairfax decide to take it offline one day.

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