What can I say about this wonderful short film? It’s hauntingly beautiful, well photographed with excellent colour grading — and just a little bit creepy.
Hat tip to tiny gigantic.
Everyday poetry
My Facebook status says: Stilgherrian is considering. All things considered. Suggest three.
My friend Matt says: Three huh? Pop Rocks; Hopscotch and a Stopwatch.
He’s pretty clever, I think. Now, whatever happened to Pop Rocks?
Thailand’s worst fruit carving
One of Thailand’s traditional handicrafts is fruit carving. Indeed, it’s impossible to go to any Thai community event without seeing a plethora of intricately-shaped melons and carrots to delight the eye.
In this photograph, ’Pong demonstrates that he’s the worst fruit carver that Thailand has ever seen.
I dunno, maybe his creativity was stifled by the fact that it was early in the morning. And I suppose there’s only so much you can do with a hotel butter knife.
Nonetheless, I do recommend you check out his post about Thai alternative music.
Rooftop song at Gallery 26
Jeffrey Hamilton was right. If the newly-opened Gallery 26 is just a flash in the pan, it’s a very bright flash. Last night’s opening party was a wonderful event. My head hurts.
Yes, that’s a woman with a guitar singing on the gallery’s roof, the Sydney Harbour Bridge in the background. A little later there was fire-twirling too — though the pimple-cam can’t do it justice. There was also a violin-guitar duo playing Beatles covers, and bellydancers from Ghawazi Caravan.
Steve McLaren, the artist behind the gallery, knows how to throw a party.
I particularly liked Steve’s mixed-media pieces I looked into the fire but I couldn’t run and Slash and burn and the people it replaces, which are currently on display in the “featured artists” room upstairs.
Another highlight — apart from Jeffrey’s stunning-as-usual stained glass — was Isabella Mackay‘s What You Already Know (pictured). Her complex combination prints, using collagraph and aluminium etching on Magnani paper, have a rich texture that doesn’t receive justice from this tiny image.
My only criticism is that the photography isn’t as strong as the rest of the work. The strongest were Paul Vanzella‘s large-scale prints on canvas. Bold and graphic with a painterly feel. The rest, though, didn’t tell me anything new. Competent, certainly, but not outstanding. However I do set high standards for photography (apart from my own, of course).
As one patron said, at the very worst you can say that a piece is “good”, and most of it is much better.
The range of works on display is huge — too many for me to run through now. If you’re in Sydney, I encourage you to explore.
Gallery 26 is open 10am to 6pm, 7 days a week at 26 Alfred Street, Milsons Point.
Unreliable Bangkok 2: Street
I read somewhere that when it comes to culture shock, little things have the most impact. So on my second day in Bangkok it still smells different, people speak Thai not English, but I take that in my stride.
In our emerging global culture, though, there’s also much that’s familiar. In this photo, for example, the style of street art is much like home — and I’ll publish a nice selection later this week. The office worker in her neat grey dress could be from any major city, anywhere.
So what are those little differences which matter most?
Gallery 26 opens tomorrow
Our friend Jeffrey Hamilton, a rather talented stained glass artist, is one of 10 artists featured at the launch of Gallery 26, a new contemporary art space in Milsons Point, Sydney. The opening night party is tomorrow, Tuesday 11 December, from 7pm.
“I’m up for a week then they feature another artist,” says Jeffrey. “The venture is completely new, and may be a flash in the pan, as they only have a 3-month lease, but it’s going to be a very bright flash!”
Gallery 26 is open 10am to 6pm, 7 days a week at 26 Alfred Street, Milsons Point. See you at the launch party?