Stilgherrian Live Alpha: episode 1 tonight!

Episode 1 Tonight: Stilgherrian Live Alpha

I’ve just organised by first guest(s) for tonight’s inaugural episode of Stilgherrian Live Alpha. And, as you can see, we’ve spent half the night playing with graphics too.

I’ll be speaking with Adam Purcell and/or Jared Madden from Emerge.tv about tune-out.com campaign — their counter-campaign to the music industry’s propaganda film, Australian Music In Tune, which I wrote about the other day.

How can the music industry respond to the dramatic changed happening around them? Is it actually too late for them to change? And it’s interesting to note that the film on their website right now isn’t quite the same as the one originally released…

Since it’s the first program, I’ll probably tell you a bit about myself and what’s been on my radar this week. If there’s anything you’ve wanted to ask me, now’s the time.

Stilgherrian Live Alpha is recorded live at stilgherrian.com/live at 9.30pm Sydney time (1130 UTC), and I’ll be talking “talkback” via audio and video.

If you turn up early, you’ll probably see us doing some last-minute technical tests. And once the program is recorded, I’ll turn it in a podcast — details later.

Stilgherrian Live Alpha: a program brief

Photograph of Sennheiser S825 microphone

Decided! The first episode of Stilgherrian Live Alpha will be “recorded live” on the Internet this Thursday 8 May at 9.30pm Sydney time. Oh shit! That’s tomorrow!

I won’t repeat what I’ve already written about my plans [1, 2]. This post presents a Program Brief — so I can clarify my thinking as much as anything else — and gathers a few recent thoughts. I’m intending to make the entire process transparent in the immodest hope that someone might find it useful.

Aims

  1. Continue my process of moving from doing hands-on technical work to media production, executive production and consulting.
  2. Build upon the “Stilgherrian as a blogger” brand to establish the core personal media global microbrand of “Stilgherrian as a presenter”, around which I can gather other projects.
  3. Establish a regular audience who can become the core of my 1000 True Fans.
  4. Develop and document production workflows so that we can produce similar programs quickly and cheaply.
  5. Experiment with and settle upon a suite of hardware, software and services which works for me in this context.

See, there is method to my madness!

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