The 9 O’Clock Resurrection halfway to Target 1

Screenshots from The 9 O'Clock Resurrection progress videos 2 and 3: click for YouTube playlistMy project to resurrect The 9pm Edict has reached the halfway mark on its way to the initial target — but comments from some supporters have led me to believe that I need to better explain the funding model.

I’m establishing a monthly funding, planning and production cycle for the podcast.

The current Pozible project is the first of what will be continuing monthly fundraising campaigns. When it ends on 29 April, I’ll know how much money is in the production pool for May — that’s all the one-off contributions plus the first month of the subscriptions. I’ll then be able to lock in the production schedule for that month.

Here’s how things looked as we started the day today.

Continue reading “The 9 O’Clock Resurrection halfway to Target 1”

Weekly Wrap 202: Doom Clown, fish heads, crowdfunding

Salmon heads on special at $1.99 per kilogram: click to embiggenMy week of Monday 14 to Sunday 20 April 2014 was a solid performer in the first half, and suitably balanced in the second half — not a time-off Easter, but at least one that wasn’t about over-work.

My own media production moved away from covering the Heartbleed bug, producing just one item — an opinion piece looking back at the way the crisis was handled, as opposed to the straight news stories produced during the previous week. But the story had moved into the mainstream, and that provided the background for a couple of media appearances.

More importantly, at least from my point of view, was that on Easter Sunday I launched “The 9 O’Clock Resurrection”, a Pozible crowdfunding project to re-establish my podcast The 9pm Edict as a regular part of my media production schedule.

I’ve already posted two progress videos onto a YouTube playlist, and we’re already nearly halfway to the initial target. I’m posting plenty of updates elsewhere, so I won’t bang on about that here.

Articles

Media Appearances

5at5

There was one for every working day, so that went to plan. Why don’t you subscribe to 5at5, and then I don’t need to keep telling you about it.

Corporate Largesse

  • On Thursday I had a meeting with someone from Lewis PR to exchange notes on what we each had coming up. They paid for coffee and cake.

The Week Ahead

It’s a short working week here in Australia, which is partially why this Weekly Wrap is appearing on Tuesday. Monday was mostly an excursion with two friends to Dulwich Hill, Summer Hill and Ashfield. Dumplings were involved.

Today, Tuesday, is about email and planning and many minor tasks that need to be gotten out of the way, so that I can concentrate on promoting the Pozible project and plan out the next few weeks.

Wednesday and Thursday are writing days, with at least one thing to write for ZDNet Australia, plus some work to be done on sorting out my cashflows. Friday is Anzac Day. I will mark it in some way, personally, but I’m not sure how yet. The weekend is unplanned as yet.

I’m in Sydney all week, and currently plan to return to the Blue Mountains on Sunday.

[Photo: Salmon heads on special at $1.99 per kilogram, photographed at Cabramatta in Sydney’s south-west on Saturday 19 April 2014.]

Announcing (belatedly) The 9 O’Clock Resurrection

Screenshot from The 9 O'Clock Resurrection video for Day 1I’ve decided that my podcast The 9pm Edict should be a thing again, and so yesterday morning I launched a Pozible crowdfunding campaign entitled The 9 O’Clock Resurrection to make it happen.

This post is “belatedly” because it’s already more than a day since I launched the campaign, and already people’s commitments are more than a third of the way to the initial target, which is to fund two episodes in May. Thank you.

I’d really like to do the podcast weekly, however, and beyond May. So that’ll mean more funding than the initial target, and more of the supporters to commit to a monthly subscription. It’s much the same model as that used by community broadcasters here in Australia, or public broadcasters in the US, as I said when I spoke about my first Pozible campaign on ABC Radio National’s Media Report.

This new Pozible campaign runs until 29 April. I’ll be making a video each day to report progress. The first is watchable on YouTube, and the rest will appear in the YouTube playlist, and I’ll figure out some other methods tomorrow.

Continue reading “Announcing (belatedly) The 9 O’Clock Resurrection”

Talking YouTube’s eighth birthday on ABC 105.7 Darwin

ABC logoToday is YouTube’s eighth birthday, according to the internet. On 23 April 2005, co-founder Jawed Karim uloaded the 19-second masterpiece Me at the zoo, and the rest is history.

I ended up having a light-hearted chat about it this afternoon with Richard Margetson on ABC 105.7 Darwin, and here’s the full audio of our conversation.

Play

The audio is ©2013 Australian Broadcasting Corporation, but it isn’t published anywhere else and I don’t get paid so here it is.

Talking journalism and iPhone 5 on ABC Media Report

Yes, Apple released a new iPhone 5 this week. I wrote about it for Crikey. And I spoke about it on ABC Radio National’s Media Report yesterday, in the context of using smartphones for journalism.

Will the new iPhone improve citizen journalism? More broadly, can we use modern Android phones to produce quality journalism?

Play

The tools I mentioned were:

  • CoveritLive for liveblogging.
  • WordPress for blogging more generally, though of course there are others.
  • Any number of tools for posting photos and other images, but I mentioned Flickr and Twitpic.
  • YouTube is the gorilla in the room for posting video, but there’s also services for live video streaming such as Ustream and Livestream. The latter even works as a video switching service in the cloud.

“You’re going to get phone calls after this, Richard, from plenty of people who say ‘No, no, no, use something else. You can get into kind of religious wars about this sort of thing, and it’ll all be out of date by November,” I said. Which is true, but I still might write an article talking about this in more detail some time.

The audio is of course ©2012 Australian Broadcasting Corporation, and over at their website you can listen to the entire episode.