Stilgherrian Live Alpha: episode 1 tonight!

Episode 1 Tonight: Stilgherrian Live Alpha

I’ve just organised by first guest(s) for tonight’s inaugural episode of Stilgherrian Live Alpha. And, as you can see, we’ve spent half the night playing with graphics too.

I’ll be speaking with Adam Purcell and/or Jared Madden from Emerge.tv about tune-out.com campaign — their counter-campaign to the music industry’s propaganda film, Australian Music In Tune, which I wrote about the other day.

How can the music industry respond to the dramatic changed happening around them? Is it actually too late for them to change? And it’s interesting to note that the film on their website right now isn’t quite the same as the one originally released…

Since it’s the first program, I’ll probably tell you a bit about myself and what’s been on my radar this week. If there’s anything you’ve wanted to ask me, now’s the time.

Stilgherrian Live Alpha is recorded live at stilgherrian.com/live at 9.30pm Sydney time (1130 UTC), and I’ll be talking “talkback” via audio and video.

If you turn up early, you’ll probably see us doing some last-minute technical tests. And once the program is recorded, I’ll turn it in a podcast — details later.

Am I a hypocrite for using PayPal?

Given what I’ve written about eBay Australia and PayPal recently, is it hypocritical to have added a “donate” button to my website which works through PayPal? I don’t think so. After all, I did say that for small businesses setting up online, PayPal is “often the most cost-effective way to accept credit card payments, and the easiest to set up technically”. And it is. I got that “donate” button set up in 10 minutes. The gripe was about eBay forcing its sellers to use PayPal, which they own. What do you think?

Stilgherrian Live Alpha: a program brief

Photograph of Sennheiser S825 microphone

Decided! The first episode of Stilgherrian Live Alpha will be “recorded live” on the Internet this Thursday 8 May at 9.30pm Sydney time. Oh shit! That’s tomorrow!

I won’t repeat what I’ve already written about my plans [1, 2]. This post presents a Program Brief — so I can clarify my thinking as much as anything else — and gathers a few recent thoughts. I’m intending to make the entire process transparent in the immodest hope that someone might find it useful.

Aims

  1. Continue my process of moving from doing hands-on technical work to media production, executive production and consulting.
  2. Build upon the “Stilgherrian as a blogger” brand to establish the core personal media global microbrand of “Stilgherrian as a presenter”, around which I can gather other projects.
  3. Establish a regular audience who can become the core of my 1000 True Fans.
  4. Develop and document production workflows so that we can produce similar programs quickly and cheaply.
  5. Experiment with and settle upon a suite of hardware, software and services which works for me in this context.

See, there is method to my madness!

Continue reading “Stilgherrian Live Alpha: a program brief”

Vale Tristram Cary, 1925-2008

Photograph of Tristram Cary

The godfather of British electronic music, composer Tristram Ogilvie Cary OAM, died on 24 April 2008. He was aged 82.

Cary’s story is told in his Wikipedia profile and the Times Online obituary. If anyone outside the “serious music” world knows him, it’s usually for writing the soundtracks for early Doctor Who episodes and films (which he hated talking about), or the Hammer Horror movies Quatermass and the Pit (1967) and Blood from the Mummy’s Tomb (1971).

However Cary was also a pioneer of music synthesisers. Trained as a radar technician in WWII, he co-founded Electronic Music Studios (EMS), which created the first portable synthesiser, the VCS 3.

I worked briefly with Cary one summer as a programmer. He was director of the electronic music studio at the Elder Conservatorium of Music in Adelaide. I wrote a digital filter in PL/1 (!) for what I think was the Synclavier synthesiser — though it may have been something else, because as a hardware hacker Cary was well wicked. In his studio, it was difficult to see where one machine ended and the next began, they were so cross-linked.

I remember he was particularly fascinated with the sounds of bells, which then were starting to become achievable through digital synthesis. It was the first time I’ve ever found my applied mathematics knowledge of Fourier Transforms to be even remotely useful.

If you enjoy any kind of electronic music, you should take an hour of your day to learn more about Tristram Cary. He made your world.

[Footnote: I found out about Tristram Cary’s death from a most unusual source: the end credits to Shaun Micaleff’s program Newstopia. The more I discover about you, Shaun, the more I think my initial assessment of you as an arsehole was a mistake.]

Wooden Anniversary

4 photographs of Trinn Suwannapha. In 3 of them he is drinking. In one he looks exhausted.

Today ’Pong and I celebrate 7 years together. As these photographs show, he’s found his own way of coping.

I haven’t been writing here for all that time, but the posts tagged Trinn Suwannapha will give you an interesting if unrepresentative overview.

And now, since I was inside all day yesterday staying warm fighting a cold, where the hell can I find a suitable wooden gift before he wakes up? I guess there’s always that broken chair leg in the cellar…

Pom rak kun maak krub, Khun ’Pong! ขอโทษน่ะครับ! ขอให้โชคดครับี ห้องน้ำอยู่ที่ไหนน่ะครับ?