Social networks: the Nuclear Option

Photograph of a feral goldfish

I’d planned to write something else today, but if I don’t mention this article now then I’ll appear way out of touch. Mark Pesce has just posted another magnificent essay: The Nuclear Option.

It’s a commentary on how Twitter and similar tools which help us create instantaneously-connected global social networks are changing the world. Entertainingly written too, as always — and not just because he mentions me.

I won’t quote it. Just read it. Then make a cup of tea, read it again, and stare out of the window for a while.

Oh you poor, dear record companies…

You’ve got to hand it to “the music industry”. This week they released a propaganda film Australian Music In Tune which asks us to sympathise with musicians because they’re all poor struggling artists. Diddums.

Photograph of Jared Madden and Adam Purcell

The only reason musicians trying to “make it” are poor is that as soon as they do get that sought-after recording contract they still pay for everything from there on. Before they see a single cent from their music, they have to pay off the studio hire, recording engineer, video director, stylists, set designers, editor and dozens of other parasites — including music company executives with their nice lunches and their BMW leases.

An entire industry — “the music industry” and their retail outlets — sits between the musicians and their audience, sucking out something like 90% of the money in the process.

And they have the gall to rope musicians into their propaganda film under false pretences, telling people like Frenzal Rhomb’s Lindsay McDougall that it was a movie about life as an artist.

He said he was told the 10-minute film, which is being distributed for free to all high schools in Australia, was about trying to survive as an Australian musician and no one mentioned the video would be used as part of an anti-piracy campaign.

OK, so who are the guys in the photo? Jared Madden (left) and Adam Purcell (right) have created tune-out.com in response to the industry crying poor.

Continue reading “Oh you poor, dear record companies…”

I came for the gin, I stayed for the social revolution

Photograph of Bombay Sapphire Gin bottle

“Television, the drug of the nation / Breeding ignorance and feeding radiation,” rapped American poet and musician Michael Franti of the Disposable Heroes of Hipocrisy Hiphoprisy”, now of Spearhead. Could this literally be true?

I’ve just read the most amazing speech, Gin, Television, and Social Surplus by Clay Shirky, which you can also watch on Blip.tv. It begins:

A British historian [argued] that the critical technology, for the early phase of the industrial revolution, was gin.

The transformation from rural to urban life was so sudden, and so wrenching, that the only thing society could do to manage was to drink itself into a stupor for a generation. The stories from that era are amazing — there were gin pushcarts working their way through the streets of London.

And it wasn’t until society woke up from that collective bender that we actually started to get the institutional structures that we associate with the industrial revolution today. Things like public libraries and museums, increasingly broad education for children, elected leaders — a lot of things we like — didn’t happen until having all of those people together stopped seeming like a crisis and started seeming like an asset.

Shirky goes on to argue that when WWII ended, we suddenly had to cope with another social surplus: all that leisure time thanks to a 5-day working week and all those new-fangled gadgets which made household chores a breeze. So what did we do? We slothed in front of the TV. For a generation.

As we turn off our TVs and connect to each other, this cognitive surplus is creating things like Wikipedia. An estimated 100 million hours of work has gone into it. Yet this is but a drop in the ocean…

Continue reading “I came for the gin, I stayed for the social revolution”

Laurel Papworth on 9am

Social networks guru Laurel Papworth was on Channel Ten’s 9am with David and Kim this week. Have a look, ‘cos it’s interesting to see how out of touch mainstream media professionals are in all of this. I write about that in my comment to Laurel’s post.

My submissions for Australia 2020

For various reasons I didn’t have much time to write submissions yesterday. Yet I’ve said so much about still believing the Australia 2020 Summit to be important — despite plentiful shortcomings — that I felt obliged to write something. In 500 words or less. So I wrote from the heart…

What emerged were two pieces:

  1. For the governance topic: Managing continual, rapid change with a clear framework of values [PDF].
  2. For the topic on “the economy”, which is where discussions of broadband policy ended up: Broadband: It’s about symmetry, not speed [PDF].

I’m well aware that they don’t really provide a properly-researched, well-argued case. Nevertheless I hope that in some way they’ll help influence debate. Comments appreciated — perhaps over where the submissions themselves are blogged.