Until I get time to write my essay about last week’s Politics & Technology Forum in Canberra, you can relive it on your own.
Thanks to Microsoft’s Nick Hodge, you can view videos of Matt Bai’s keynote address, Panel 1 on Blogging, social networks, political movements and the media with Annabel Crabb, Peter Black and Mark Textor, and Panel 2 on Politics 2.0: information technology and the future of political campaigning with Joe Hockey, Senator Andrew Bartlett, Senator Kate Lundy and Antony Green.
You can also trawl back through the Twitter stream using Summize.com. There’s a lot of material, though, so unless you’re a complete political junkie and want to read through it while listening to the discussions you may want to wait for my essay.
[Disclosure: I was in Canberra as a guest of Microsoft.]
I will be at PubCamp Sydney this afternoon. Will I see you there?
For my sins, I now have a media pass to the Mobile Content World Australasia conference at Sydney’s Star City Casino. I missed Day 1 today, but from the programme Day 2 will be more interesting from my perspective. Centrally-planned control-freak TV organisations and telcos try to control what’s on mobile phone screens. Fail. We control what’s on our screens, thank you very much! From one clueful attendee today, “Folks all seem like deers in the iPhone headlights.”
Did someone say we’re hyperconnected? Oh yeah, Mark Pesce did last week. And you know what? He did a keynote presentation at a conference this morning and someone’s blogged about it before he’d even left the room. And now I’ve blogged about the blog. And he still hasn’t left the room.
Next week is packed! How can I get the best value out of CeBIT Sydney and the associated Transaction 2.0 conference, as well as Microsoft’s ReMIX 08? What should I record or broadcast? What should I write about?
CeBIT was always on my agenda. Despite being disappointing last year and despite annoying me with a flood of email, it’s still the biggest IT trade show in Australia. It’s worth going just to see who’s confidently spending money on promotion, if nothing else.
I’ll be touring the trade show floor on Wednesday 21 May. If you want to meet up, let me know. Maybe I should even do a Stilgherrian Live Alpha from the bloggers media room? Whaddyathink?
If you still haven’t organised your free pass, you can register online using my promotion code: stilcs08.
On Thursday 22 May I’ll be at Transaction 2.0, with an interesting set of speakers. Again, it’s a matter of choosing the priorities. Who should I talk to? Should I pick a fight with Jason Calacanis?
But I kick off the Geek Week on Tuesday 20 May with ReMIX 08, where Microsoft says I’ll “experience all that is new in Silverlight 2, Expression 2, IE8, Live and a host of other great web technologies… You will also see how local Australian innovators are creating the next generation of engaging websites and unprecedented user experiences for the web.”
Provided they build it with Microsoft’s tools, of course. 😉
That’s unfair. Microsoft is changing. It’ll be interesting to hear what they’re up to.
Now my only challenge is working out how all this fits into one week, while still leaving room to do some billable hours for clients.
You’ve got to hand it to “the music industry”. This week they released a propaganda film Australian Music In Tune which asks us to sympathise with musicians because they’re all poor struggling artists. Diddums.
The only reason musicians trying to “make it” are poor is that as soon as they do get that sought-after recording contract they still pay for everything from there on. Before they see a single cent from their music, they have to pay off the studio hire, recording engineer, video director, stylists, set designers, editor and dozens of other parasites — including music company executives with their nice lunches and their BMW leases.
An entire industry — “the music industry” and their retail outlets — sits between the musicians and their audience, sucking out something like 90% of the money in the process.
And they have the gall to rope musicians into their propaganda film under false pretences, telling people like Frenzal Rhomb’s Lindsay McDougall that it was a movie about life as an artist.
He said he was told the 10-minute film, which is being distributed for free to all high schools in Australia, was about trying to survive as an Australian musician and no one mentioned the video would be used as part of an anti-piracy campaign.
OK, so who are the guys in the photo? Jared Madden (left) and Adam Purcell (right) have created tune-out.com in response to the industry crying poor.
Continue reading “Oh you poor, dear record companies…”