trinn suwannapha

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What a week! I’ve written five articles. Another two are due for Monday. I’ve done my usual Patch Monday podcast. I’ve done five radio appearances on five different topics. I’ve been interviewed for Phil Dobbie’s BTalk podcast, and that’ll appear next week.

I’ve even been interviewed by an anthropologist for his PhD project. I’m talking to a new editor about more writing. And even — this is weird — to a television production company about a TV project.

That all comes after a month or, really, six weeks or more of travel, intense work, intense and deeply personal events and the tightly-tangled ball of stress, depression and anxiety that can trigger. Which it did.

I’m knackered.

And there’s still plenty of work to do and decisions to make over the next couple of weeks.

I mention all this for a variety of reasons…

  • While I do have Weekly Wrap posts, I’ll also do individual posts linking to things like major articles and radio spots. This should make it easier for people to find things they’re interested in, and quite frankly it’s better Google juice. It also gives me more of an opportunity to reflect on each item — like adding a quick personal view to supplement a story that was a straight-news piece.
  • There’s about to be a flurry of small posts as I process the week’s radio spots. Consider that a warning.
  • I wanted to post at least part of the background before more reflective posts started appearing. I haven’t written much from a deeply personal perspective lately — certainly not like the essays that I was doing a couple years back. This is part of the head-clearing process before I return to that.

I write in so many places these days — ZDNet Australia, Crikey, Technology Spectator, ABC’s The Drum, even occasionally at places like CRN Australia. And, as I mentioned, there’s probably more to come. That’s all writing for other people.

This here is my place, and it’ll be about writing for me.

No, I’m not sure what form that’ll take.

I’m not sure what it even means.

Do those bullet points flow from the intro? No, not really. But that’s where my head is this morning. I’m sure things will become clearer as the day unfolds.

[Photo: That's me (embiggen) photographed with my webcam just now at Rosella Cottage, the somewhat bigger house that's the "family home" of the owners of Bunjaree Cottages. It isn't normally rented out to punters. I've been here at the cottages alone for a week, and I haven't bothered shaving. I'm staring to look like I did before ’Pong and I shot that short film The Shave back in 2008. It's not a good look.]

I haven’t had the inspiration to write something new for Australia Day this year, so I’ll just bring you this glorious video that ’Pong mentioned.

If the embedded video isn’t visible, watch it directly on YouTube.

For me previous Australia Day posts, try Happy Aussie-Ox Day from 2009, my photographic post Great Australian Dreaming 1, sing our new national anthem and my essay Are you proud of your culture? That last one has an excellent photo.

Artemis breathed her last breath at 12.37pm AEDT today. It was a peaceful moment. I held her while she moved from this world into the next. I cried. I am crying now.

Artemis led a gloriously adventurous life, if perhaps short at a little over seven years. She hunted everything from moths and grasshoppers to rats and noisy miner birds, eating most of them. She even brought us the striped marsh frog from the garden pond — three times before she learned, the hard way, that it’s poisonous. She never did catch a currawong, and I’m glad of that.

Artemis used up one of her nine lives when her tail was crushed and eventually amputated.

Today I chose to take her ninth.

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Last year ’Pong wrapped up his Masters of Digital Media at UNSW’s College of Fine Art by making the short film Memory of You | Reflection of Me, winning the prize for the schools “best video” that year. I’ve previously shown you a photo. Now you can finally watch it online.

It’s a powerful nine minutes about depression and maternal strength, and was certainly a worthy winner. It had stayed hidden until now because ’Pong had been entering it into film festivals, many of which have this arsehatted notion that you can’t enter if your film previously been posted online. But time marches on…

’Pong is now seeking support for his next film, Exist.

Exist explores our part of psychological mechanism that alerts us of treats and dangers — anxiety. It is the second instalment of DASS (Depression Anxiety Stress Scales) trilogy, which is a common test to assess mental illness in modern society.

You can watch the teaser video, then head over to FundBreak to hand over your money.

Photograph of John Howard's campaign office in Epping by Trinn ('Pong) Suwannapha
Yesterday ’Pong and I journeyed to Epping in Sydney’s north-west suburbs to photograph this monument to history: John Howard’s campaign office for the 2007 federal election. It’s still empty almost two years later.

Epping seemed strangely bleak. This was far from being the only empty shop on Beecroft Road. Signs were dilapidated. In the alley behind the shops, magpies rummaged through restaurant garbage bins in search of food. The eucalypt smoke enshrouding the suburb — the result of back-burning operation before summer — didn’t help.

Two years ago posts referencing John Howard dominated this website’s tag cloud. It’s been a long time since he was Prime Minister, but he’s still prominent here and in the mainstream media through things like his Menzies Lecture — and that was a strange attempt to stamp his own rhetoric onto Australia’s political history.

I wonder how long it’ll be until we stop hearing about the miserable old toad?

[Photo: A Space for Howard ©2009 Trinn (’Pong) Suwannapha. All rights reserved.]

Actress Fay Akrivou discussed her character with director Trinn ('Pong) Suwannapha

’Pong is currently directing a short film, Memory of You | Reflection of Me, as part of his Masters of Digital Media at the College of Fine Arts. I’m helping, so you won’t see much of me for a few days. But here’s a photo.

Here, actress Fay Akrivou (left) discusses her character, a depressed mother, with ’Pong during a break in shooting at a terrace house in Surry Hills, Sydney. She’s not really that tired, that’s the make-up. It’s also a fairly dodgy version of the photo. I’ll post something better later.

Tomorrow morning we’re shooting at Coogee Beach, and then in the afternoon it’s at our house in Enmore. It’s a 6-minute film, but there’s seven scenes containing something like 35 individuals shots, for some of which they’re doing a dozen takes. ’Pong is both a hard taskmaster and a perfectionist.

My role? Um, I’m organising the sandwiches and beer. Well, someone’s got to do it…

[Update 21 September 2010: You can now watch Memory of You | Reflection of Me online, and ’Pong is seeking support for his next film.]

Photo of monitor at Metro Screen showing Stilgherrian on camera, waiting for his cue

Putting together the Stilgherrian Live (Metro Screen) Special Edition in a proper multi-camera TV studio is very different from a regular Stilgherrian Live.

For a start, there’s all these other people around. Then there’s the waiting. And the presenter gets to wait the most, as everyone else is working on camera angles and movement, lighting design, cues… ah, but this is the magic of television!

Supposedly.

Anyway, I hope you’re all busy nominating people for “Cnut of the Week” over at that other blog post, ‘cos nominations close at 8pm Sydney time. That’s in about three hours.

Oh, and the photo was taken by Trinn (’Pong) Suwannapha.

Metroscreen Logo: click for video stream

There’s a very special edition of Stilgherrian Live this Friday afternoon at 2pm Sydney time. ’Pong and his classmates at Metro Screen are producing a full multi-camera episode with a quiz and interviews and other entertainments.

The program is the end result of their full-week course, Produce live-streamed multi-cam television. ’Pong pitched doing Stilgherrian Live as his segment — as if he wasn’t busy enough doing his Masters of Digital Media at COFA and being DOP for some SEKRIT soap opera — and somehow that’s morphed into me presenting the whole program.

The program will be streamed live from Metro Screen’s page at Viocorp.

Now, I know 2pm Friday is when many people are meant to be working, but it’d be great to have a few of you watching, commenting back, and even providing the students with some feedback.

So to encourage your participation, we’ll have our usual offer of a t-shirt of your choice from our friends at King Cnut Ethical Clothing. Just nominate a “Cnut of the Week” and be watching the program when we draw a name from the Cocktail Shaker of Integrity.

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As promised (threatened?), here’s the video evidence from Saturday’s Project TOTO farewell party. I feel… honoured. And only slightly insulted.

Thanks heaps to ’Pong for the video work (although I did the cutaways which allowed him to edit it). Apologies to Mark Pesce, whose to-camera piece wasn’t recorded properly — although we can see him lurking in the background in his lovely red jumper, and raising his eyebrows quizzically.

Also, I am too fat.

It’s D-1. I depart from Sydney airport in just 29.5 hours. I still have a million things to do. I am incredibly stressed. I hope to write more later today. My Twitter stream will reveal more, however.

Photo from Project TOTO Farewell Party, courtesy Kate Carruthers

Photographic evidence of Saturday’s Farewell Party for Project TOTO — or the going-away-and-maybe-not-coming-back-party as it was dubbed — has started to emerge at the Project TOTO Flickr Group.

Note especially one aspect of geek nature: of the five humans in the foreground, only one is not using a mobile computing device, and he’s reaching for a beer. And yet we’re all still connected with each other in the room, as well as with everyone else.

Note also the Sony Z1P HD video camera in the foreground: apparently video evidence will emerge later too.

Just for the record, from left to right that’s business analyst Jodie Miners; futurist and minor TV personality Mark Pesce; my partner ’Pong; and founders of Open Australia, katska and Matthew Landauer.

[Photo: Going away may be not coming back party by Kate Carruthers. But if she's in the photo, who took it?]

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